5. Interrogation
Do you remember the Doctor? Ten-part drama starring Charlie Craggs, with Jodie Whittaker.
Cleo, Abby and Shawna are trapped in a safehouse being interrogated about someone called the Doctor. Unfortunately, only Cleo remembers who that is. And so far, their captors seem to be big on violence and short on patience
Credits:
Cleo Proctor - Charlie Craggs
Abby McPhail - Lois Chimimba
Shawna Thompson - Holly Quin-Ankrah
Kate Stewart - Jemma Redgrave
Miller - Pip Gladwin
Roberts - Karim Kronfli
Written by Sasha Sienna
Produced and Directed by Ella Watts
Executive Producer: James Robinson
Sound Engineer: Paul Clark
Studio Assistant: Jacob Tombling
Sound Design: David Thomas
Additional Sound Design: Arlie Adlington
Original Composition: David Devereux
Production Co-ordinators: Sarah Sharpe and Sarah Nicholls
Script Editor: Tasha Dhanraj
Recorded at Sonica Studios, Clapham.
A 91腦瞳扦 Studios Production for 91腦瞳扦 Sounds.
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5. INTERROGATION
Doctor Who Redacted
Episode Five
Written by
Sasha Sienna
泭
FX: 91腦瞳扦 SOUNDS STING
泭
SCENE 1
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INT. SHABBY HOUSE. THE HOUSE IS DETACHED AND RURAL, WITH NO HUMAN LIFE WITHIN HEARING DISTANCE.
泭
We start the episode with one long, ominous note playing repeatedly.
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FX: A rush of footsteps on wooden floorboards. CLEO, SHAWNA and ABBY are blindfolded and their hands are bound.
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泭
ROBERTS
Keep moving!
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CLEO
Well maybe if I could see!
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SHAWNA
You better believe Amnesty are
gonna hear about this!
泭
ABBY
This 勳莽紳t funny! 梆m my mothers
carer! She needs me!
泭
ROBERTS
Move!
泭
CLEO
Yeah, we get it, youre really
tough, shoving young women about.泭
泭
FX: A door creaks open. CLEO, SHAWNA and ABBY are led downstairs into an empty basement.
泭
The door bangs shut. CLEO immediately bangs loudly on the door as it shout.
泭
CLEO
Let us out of here!
泭泭泭泭泭泭泭泭
We hear the redacted sound mixed with a soft piano.
泭
泭CREDITS
Doctor Who Redacted: Episode Five. By Sasha Sienna.
泭
泭
SCENE 2
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INT. BASEMENT. THE WALLS AND FLOOR ARE CONCRETE AND IT IS EMPTY, BESIDES CLEO, SHAWNA AND ABBY.
泭泭泭泭泭泭泭
SHAWNA
Oh, this is bad. No this is
properly bad. If theyre gonna
kill us, I wish theyd hurry
up and get on with it. How
longs it been?
泭
ABBY
Feels like hours.
泭
FX: Clumsy door rattling as ABBY tries to open it with bound hands.
泭
ABBY
Still locked.
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CLEO
Well, its always worth a try
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FX: ABBY hurls herself at the door.
泭
CLEO
Abs! What are you doing?
泭泭
ABBY
What else are we supposed to do?
Just sit here?
SHAWNA
Youll hurt yourself.
泭
CLEO
Youre not built for knocking down
doors. I dont know about you, but
梆m getting out of these cable ties
now.泭
泭
FX: Sounds of shuffling, huffs of effort and shoes tapping against the concrete floor as CLEO gets her hands in front of her
泭
CLEO
Oh my god, this is worse than yoga
泭
SHAWNA
No, you look really...graceful.
泭
CLEO
You little liar.
泭
ABBY
(sarcastically)
No, really. You look like a gazelle.
Being born.
泭
FX: CLEO stands up with a TRIUMPHANT HUFF.
泭
CLEO
Cirque du soleil can bite me.
泭
She raises her arms over head, slams them down onto her knee and the cable tie snaps.
泭
釦晨插兜捧插
Woah. That was seriously hot.
泭
CLEO
I know!
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ABBY
That was seriously amazing, where
did you learn to do that?
泭
CLEO
TikTok. (laughs)
SHAWNA
Thats so cool, all it ever shows me
are, like, conspiracy theories and
fruit loaf recipes.
泭
ABBY
Hmm, I wonder why.
泭
SHAWNA
Cleo, can you show me how to do that?
泭
FX: SHAWNA starts hopping about, trying to bring one leg through her bound arms.
泭
CLEO
I might not need to. Hang on.
(pause)
They should have taken my earrings
when they took our phones. Here, give
me your hands, come.
泭
FX: SHAWNA turns to show her hands to CLEO, who bends down and starts scratching at the plastic with her earring.
泭
(PAUSE)
泭
SHAWNA
What if, we like...crossed
a line or something? Found out too
much? Everyone stop breathing!
They might be pumping nerve agents
through the vents -
泭
CLEO
Girl, you need to go on a YouTube diet,
stop it.
泭
FX: The cable tie starts to slowly break.
泭泭
ABBY
Shawna, theyre obviously aliens.
泭
CLEO
Wait, what?!
泭
ABBY
I mean, think about it-
CLEO
Do you two hear yourselves sometimes?
(to Shawna)
I think thats weakened it see if you
can pull your hands apart now.
泭
FX: sound of a snapping plastic as SHAWNA breaks her cable tie.
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SHAWNA
Yes!
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CLEO
Yes! Oh thank god. OK, Abs,
quick, your turn now.
泭
FX: cable tie loosening
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CLEO
Keep your hands still, babe.
泭
ABBY
Right, sorry, sorry. If aliens were
here, and if they were trying to
remain undetected, and if we have managed
to detect them, then theyd probably
have to do something, like, wipe our
brains, or, or
泭
SHAWNA
Or make us disappear. Abby, youre
loving this arent you?
泭
CLEO breathes heavily as she keeps trying to break the cable tie.
泭
ABBY
No! What about my mum? And Craig must
be going out of his mind; if I dont
reply to his texts in like a minute
he freaks out.
泭
CLEO
Girl, that aint healthy.
Give that a go.
泭
FX: Snap of plastic as ABBY breaks apart her own cable ties.
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ABBY
We did it! Group hug?
泭
CLEO
I think weve earned one.
泭
FX: sound of manoeuvring into a warm hug.
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CLEO
Right, now where are we?
泭
插詁詁喊
Just hug a little longer
泭
SHAWNA
That windows way too high to see
out of.
泭
CLEO
Do you think you could give me
a boost up Shawna?
泭
SHAWNA
Get on my shoulders.
泭
CLEO
Really? Are you sure?
泭
SHAWNA
Well you cant cycle up Sheffield hills
without getting titanium thighs.
泭
CLEO
I think Ive seen her drag act once.
Alright come on, lets give it a go.
泭
FX: sounds of struggling about as SHAWNA kneels down, CLEO climbs onto her back and SHAWNA stands up.
泭泭
CLEO
Oh wow, Shawna, you werent lying about
those legs!泭
泭
ABBY
Can you see anything?
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CLEO
Not much. Theres a lot of field.
Empty field. Theres some trees.
泭
ABBY
What kind?
泭
CLEO
(unsure) Errr...the big kind?
泭
ABBY
Helpful.
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CLEO
Right. Theres not a lot else.
Sorry, sorry. Theres not a lot
else. I dont see any other buildings,
or a road or anything.
泭
SHAWNA
(struggling to hold Cleo)
Can you open it?
泭
CLEO
Hm I dont think so. Looks like
it was painted shut a few years ago.
Theres bars on the outside anyway.
So yeah sorry, let me down.
泭
FX: SHAWNA breathes out exasperated and lowers herself as CLEO steps down awkwardly.
泭
ABBY
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Take my hand.
泭
CLEO
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Sorry.
泭
SHAWNA
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Are you alright? Are you down?
泭
CLEO jumps down with a thud.
泭
泭
泭
CLEO
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Sorry, are you ok?
泭
SHAWNA
(Sighs) Yeah. Well, at least I get
to die with you guys eh. Oh god I
sound like 梆m in a Smiths song. 泭
泭泭
CLEO
Oi. You know me and Abby would never
let anything bad happen to you,
right Abs?
泭
ABBY
Right. Besides, whoever it is thats
taken us, they wouldnt have done it
if we werent onto something!
泭
CLEO
What are you on about now?
泭
SHAWNA
No thats true, its the blue box!
Whoever these people are, theyre
clearly mixed up in it. I told you
blue box was government agent-
泭
ABBY
It could still be aliens!
泭泭泭泭泭
SHAWNA
What? Aliens with two hands and
feet who wear cheap aftershave
is it?
泭
CLEO
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Girls!
泭
ABBY
Other planets could have aftershave!
泭
CLEO
Girls! Not now, oh my god!
(beat)
Anyway, you kidnap people, you could at
least give them a cuppa. 梆m gasping for
one.
SHAWNA
Id go for something stronger.
泭
CLEO
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (chuckles) Yeah.
泭
Then suddenly they all jump in surprise as the door bursts open.
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ROBERTS
(menacingly) Get up.
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CLEO
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Oh my god.
泭
ROBERTS walks over to SHAWNA and starts to drag her out of the room.
泭
SHAWNA
Hey, what are you doing? Get off me!
泭
CLEO
Oi! Shawna!
泭
ABBY
Where are you taking her?
泭
FX: ROBERTS drags SHAWNA across the room and pushes her up the stairs. CLEO and ABBY run after her, trying to pull her back.
SHAWNA
No! Let me go!
泭
CLEO
Leave her alone!
泭
ABBY
Shawna!
泭
FX: ROBERTS and SHAWNA exit and the door slams and locks behind them.
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We hear SHAWNAs muffled shouting from behind the door.
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SHAWNA
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Let me go! Abby! Cleo!
泭
Back in the basement, we can still hear Shawna shouting in the distance
ABBY
What do you think theyre gonna do
to her?
泭
CLEO
I dont know, but 梆m not waiting
to find out, come on.
泭
FX: CLEO RATTLES THE DOOR
泭
ABBY
Maybe theres another exit -
泭
CLEO
Shh - do you hear that?
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FX: conversation echoing from another room.
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ABBY
What is it?
泭
CLEO
Its Shawna! I can hear her voice.
I think its coming through the
ceiling - listen.
泭
SCENE 3
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INT. SPARSELY FURNISHED ROOM, SET UP AS AN INTERROGATION ROOM. MILLER IS QUESTIONING SHAWNA.
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FX: Dialogue starts muffled and becomes clearer over SHAWNAs first line, as we move through the ceiling into the interview room. During the scene, theres the occasional sound of shoes on floorboards as MILLER circles around the room.
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MILLER
Do you know why youre here?
泭
SHAWNA
Because Ive been kidnapped?
泭
MILLER
(sharply)梆m not interested in your
jokes, Miss Thompson.
泭
SHAWNA
Sorry. Being hilarious just comes
so naturally to me.
泭
MILLER
You and your friends have vivid imaginations.
泭
SHAWNA
Youve taken us hostage! We havent
imagined that have we?
泭
FX: (MILLER stops walking and taps his foot lightly a few times)
泭
MILLER
Your podcast the Blue Box Files.
Why do you make it?
泭
SHAWNA
Because we think people deserve to
know the truth.
泭
MILLER
And why, exactly, are you claiming
that people are disappearing?
泭
SHAWNA
Because they are! Have you seen the
news recently? Theres a missing
person epidemic.
泭
MILLER
I have, in fact, seen the news recently.
I dont know what darknet conspiracy
blog you get your so-called news
from Ms Thompson.
泭
MILLER slams down a stack of newspapers. Dumbstruck, SHAWNA files through them.
泭
SHAWNA
But thats not thats not possible,
it was headline news It was I saw
it on all over the front pages, like
yesterday.
(MORE)
泭
SHAWNA shoves the papers away from her
Ominous music starts in the background as SHAWNA refuses to believe what shes seeing.
泭
SHAWNA (CONTD)
Nah. This is fake news. Literally. Its
got to be. I know what the truth is
and youre not going to gaslight me
into thinking differently.
泭
MILLER
(laughs darkly) Ok. What exactly do
you think the truth is, Miss Thompson?
泭
SHAWNA
That theres always someone like you
in the background. Who doesnt care
what happens to anyone else.
泭
FX: MILLER taps his foot again.
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SHAWNA (CONT.)
You think you get to control everybody.
Well guess what, youre not going to
control me..
泭
MILLER
You think you understand all about how
the world works, dont you? Your version
thats the right one. And youre not interested whatsoever in the
(MORE)
泭
MILLER (CONTD)
work of this department or the good
we might do, because I am so blatantly
evil, right? Because what because 梆m wearing a uniform?
泭
SHAWNA
Yeah, thats about right. Youre
obviously working for some shadowy government agency.
(falters)
Youre probably behind all the disappearances.
泭
FX: MILLERs shoes click against the floor as he slowly circles SHAWNA. He taps his foot again.
泭
MILLER
梆m not the one you should be
frightened of, Shawna. 梆m not the
one controlling this blue box of
yours, but someone is, and they are
much, much worse than you understand.
You see, I, and the people I work
with, were here to protect good
people. Good people like your
grandmother, for instance.
泭
FX: SHAWNA stands up.
泭
SHAWNA
Leave her alone!
泭
Ominous music continues in the background, long, low notes.
泭
MILLER
If all goes according to plan, then
theres no reason that your grandmother
ever needs to hear about this奸ittle incident, or from us at all. But if not
if you dont co-operate, (pause)
well then I suppose plans change.
Dont they?
泭
FX: MILLER stops and taps his foot again
泭
SHAWNA
Why do you keep doing that?
泭
MILLER
What?
泭
SHAWNA
When you tap your foot, you keep
looking at that mirror.
泭
(PAUSE)
泭
Ominous music stops.
泭
SHAWNA (CONTD)
Ah, someones watching us, arent they?
Are they telling you what to say?
Youre not in charge here, are you?
泭
MILLER
I have the authority to make your
life very difficult, Miss Thompson.
And your grandmothers.
泭
SHAWNA
Whos watching us then?
(shouting to the room) 泭
Come here and tell us what you want!
You cowards!
泭
MILLER
Tell me how you and your friends are involved with the blue box and youll
find me much more amenable.
(pause)
Tell me what you know about the Doctor.
泭
SHAWNA
Doctor who?
泭
SCENE 4
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INT. BASEMENT.
泭
FX: The door opens and ROBERTS shoves SHAWNA inside.
She runs down the stairs and into ABBYs arms, breathing shakily. CLEO rushes to join them.
泭
ABBY
Shawna! Oh thank god
泭
CLEO
Youre alright, babe. Weve got you now.
泭
FX: ROBERTS crosses the room and pulls ABBY apart from SHAWNA. He drags ABBY across the basement and up the stairs.
泭
ROBERTS
Your turn!
泭
ABBY
Let go of me!
CLEO
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What? Oh my god!
泭泭
SHAWNA
Abby! Abby youll be all right,
just dont trust them! Theyre
liars! Dont listen to them!
泭
ABBY
Where are you taking me?
泭
ROBERTS
Move!
泭
CLEO
Abby! Its going to be OK babe!
泭
FX: The door slams shut and locks.
泭
泭
SCENE 5
泭
(SHAWNA sobs)
泭
FX: CLEO walks to SHAWNA and puts an arm around her, rubbing her shoulder comfortingly.
泭泭泭
CLEO
Oh, come here babe.
泭
(Pause while SHAWNA catches her breath and CLEO comforts her)
泭
泭CLEO (CONTD)
Were all getting out of this
together Shawna. I promise.
泭
SHAWNA
How are you so calm?
泭
CLEO
What?
泭泭泭泭泭泭泭泭泭泭泭
SHAWNA
Like its just another Tuesday.
Went to Glasgow, got kidnapped.
泭
CLEO
Oh babe, 梆m wetting myself too.
泭
SHAWNA
Well you could have fooled me.
泭
CLEO
Its just匈 dont know, you know
When youve got lots on your mind
and your brains almost like buffering,
and you dont actually have the space to have a real breakdown.
泭
SHAWNA
Yeah, yeah.
泭
CLEO
(Beat) Honestly the worst part though,
is for a second I thought I might get
to see my dad again. Like, maybe this is what happened to him, too. And if it was,
at least Id know, you know.
泭
And then I thought of my mum. Jordan
going missing, then me And maybe she
didnt lie to us about Dad, and maybe
he didnt go off to Marbella with some
bird. And maybe this whole time Ive
been angry at her about something
she didnt even do.
泭
Thoughtful music appears in the background, slow synth music.
泭
But then I remembered she doesnt care.
She wouldnt care if I was gone. Her
life would be a hell of a lot easier
if
(MORE)
泭
CLEO (CONTD)
I was gone. So maybe I should go.
I can be with Dad and this would all
be over. Maybe me disappearing would
be better for everyone.
泭
SHAWNA
Cleo it wouldnt be better. Not for
Jordan. Not for me or for Abby. Never
ever think that.泭
泭
CLEO
梆m sorry. 梆m sorry. Its just, this
is all so much, and now Jordans gone
and -
泭
SHAWNA
Were going to find him. Babe,
I promise.
泭
SHAWNA pulls in CLEO for a big hug.
泭
(pause)
泭
SHAWNA
(sighs) Do you think shes OK up there?
泭
FX: faint sounds of conversation from the room upstairs.
泭
CLEO
Babe. Shes probably up there interrogating
him.
泭
SHAWNA
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (Faint laugh) Yeah, fair.
泭泭
SCENE 6
泭
INT. INTERROGATION ROOM.
泭
FX: As in Sc3, dialogue starts muffled and becomes clearer over as we move from the cellar to the interview room. MILLERs shoes click on the floorboards as he slowly paces.
泭
ABBY
Who are you?
泭
(pause)
泭
MILLER
My name is Miller.
泭
ABBY
What are you doing here?
泭
MILLER
梆m keeping people safe, Miss
MacPhail. Whether 梆m protecting
you, or protecting people from you,
Ive yet to determine.
泭
ABBY
But what are you doing here? Like,(whispering) on Earth.
泭
FX: MILLERs footsteps stop as he pauses. He taps his foot.
泭泭
MILLER
Where else ought I to be, exactly?
泭
ABBY
(lightly laughing)
OK, well, -I mean, you look pretty
human - but you work for them, dont
you? The beings that are behind all these abductions?
泭
FX: MILLERs hand slams down on a table surface. ABBY gasps.
泭
MILLER
(shouting)Am I supposed to believe
that you and your friends are just
playing at Men In Black?
泭
He pauses.
泭
MILLER (CONT.)
(laughs) OK. Id like to play you
something.
泭
FX: MILLER places a phone down on the table and sets it to play a recorded excerpt of The Blue Box Files.
泭
CLEO
Girl, how do you not know your star
sign? 梆m a Scorpio sun, Aries moon
and Leo rising.
泭
泭
ABBY
That explains a lot!
泭
CLEO
Excuse me, whats that supposed to mean?
泭
SHAWNA
Am I the only one who doesnt think
my personality is dictated by shapes
in the sky?
泭
It is dictated by the state-sanctioned brainwashing that is the education
system -
泭
ABBY
Ah, but were not just talking about
泭
The redacted sound begins
泭
ABBY (CONTD)
the regular constellations were all familiar with. These ones were different. All across the world, people say they saw-
泭
FX: the episode abruptly cuts into the redacted sound. The recording bleeps as it stops playing.
泭
MILLER
What made that sound?
泭
ABBY
Thats not how it used to be.
Something happened to it. It was
a really interesting episode, though,
youre missing out
泭
MILLER
Until you drop the act and tell me everything you know, I wont be letting
you or your friends go anywhere.
(pause)
Do you think your mother can manage
without you for that long?
泭
Miller begins pacing the room again.
泭
ABBY
(scared) What do you mean?
泭
MILLER
I know how much she relies on you.
Is whatever youre hiding really worth leaving her without the help she needs?
泭
ABBY
What do you want?
泭
MILLER
Tell me what you know about the Doctor.
泭
ABBY
What are you talking about?
泭
MILLER
I know you must think youre being
very clever, Miss McPhail. But this
stops now.
泭
ABBY
No, seriously, I dont know what
youre talking about.
泭
MILLER
Penny Carter. Oliver Morgenstern.
Rani Chandra. All of these people disappeared immediately after crossing
your path.
泭
ABBY
No, thats not
(she thinks for a moment)
oh my god(beat)
泭
Music begins to play, echoing Abbys confusion.
泭
ABBY (CONTD)
Sorry, no, no thats not us
thats well we dont know but
it has something to do with this
Blue Box.
泭
MILLER
Its called a TARDIS. But the Doctor 泭泭 doesnt go around kidnapping people,
Miss McPhail. The Doctor doesnt erase people from history.
泭
ABBY
We just want to go home.
泭
MILLER
Your going home depends on your answer
to a very simple question, Miss McPhail. What have you done to the Doctor?
泭
Music builds dramatically and then slowly fades into the next scene.
泭
SCENE 7 INT.BASEMENT.
泭
FX: Door opens. ABBY is ushered into the room by ROBERTS.
泭
SHAWNA
Abby! Are you alright?
泭
CLEO
Oh my god!
泭
ABBY
Yeah, I think so. They just kept asking
me the same question over and over
about圯rm存omeone I cant remember.
泭
ROBERTS
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (forcefully to Cleo) You, up.
泭
CLEO
Yeah alright babe, I can walk myself
梆m not a dog. 泭
泭
FX: CLEO and ROBERTS walk up the stairs and the door closes behind them.
泭
Music quickly builds then fades into the next scene.
泭
泭
SCENE 8
泭
CLEO IS SAT ALONE IN THE INTERROGATION ROOM.
泭
FX: The door swings open and MILLER walks in.
泭
MILLER
Cleo Proctor. You know, your friends
have already been very informative.
泭
CLEO
Ha, try again mate. You know we can hear
you from downstairs, right?泭
泭
FX: MILLER taps his foot
泭
CLEO (CONT.)
Shawna said you do that a lot. She
reckons youre signalling someone.
泭
MILLER
Tell me why you and your friends
started The Blue Box Files.
泭
CLEO
Oh, you know how it is. All the
really glamorous mysteries already
had their own shows already.
泭
MILLER
Perhaps youre being paid by
someone else. Someone with influence?
Money?
CLEO
(laughing)Yeah, right, because anyone
with money wants to spend it
listening to three queer women chat
about conspiracies all day. Babe, if
we had money dont you think wed have better production values?
泭(BEAT)
MILLER
You grew up on the Powell Estate,
didnt you?
泭
CLEO
Yeah, so?
泭
MILLER
A lot of the flats there are empty.
泭
CLEO
Look, if you want to talk about
Londons social housing crisis,
梆m your girl.
MILLER
There are an unusually high number
of missing persons reports filed
from residents of that estate.
泭
CLEO
Duh, thats what you get through
decades of underfunding in social
services.
泭
MILLER
Are you aware that one of these was
filed by your mother? For a Jordan
Proctor?
泭
CLEO
Obviously, hes my brother.
泭
MILLER
He was last seen on the Powell Estate
five days ago. Your mother still
lives there. But I notice you moved
out some time ago. And your brother
followed shortly after.
泭
CLEO
Do you really think 梆m involved
with this? Youre so far off the
mark its funny.
泭
MILLER
Did you convince your friends to
use your podcast to investigate
these disappearances?
泭
CLEO
Oh my god, does nobody even listen
to our podcast? 梆m not even the
one who believes in all this stuff!
梆m literally just there for the
hilarious quips.
泭
MILLER
And that would be the perfect act,
wouldnt it?
泭
CLEO
Babe, were not sharing state secrets
are we? Were just going off about urban
legends.
(BEAT)
Do you know what happened to him?
泭
MILLER
Who?
泭
CLEO
My brother. Jordan.
泭
MILLER
梆m the one asking the questions
Miss Proctor.
泭
CLEO
Yeah right. So you dont. Got it.
泭
MILLER
Listen to me very carefully. Whatever
youre mixed up in, whoever youre
working with, is truly dangerous. If
I were you, Miss Proctor, I would be
very, very scared.
泭
CLEO
Scared? Youre telling me I should be scared? 梆m a trans woman whos just
been abducted by some shady men in suits. 梆m泭terrified babe! But so what? 梆m scared every time I have to use a public toilet,
but I still do it. Being scareds nothing. And now you want me to think youre gonna protect me? (laughs) Yeah if fears all you got, you cant touch me.
泭
BEAT of silence as this speech hangs in the air. MILLER walks takes a few slow steps round the room as this sinks in.
泭
MILLER
Youre right. 梆m sorry. Of course,
youre right.
泭
MILLER slumps down into a chair, defeated.
泭
CLEO
Er, are you alright babe? 泭
You just got like way less police
brutality and about way more
pencil-pusher.
MILLER
No, 梆m not alright.
泭
CLEO
梆m not going to bite.
Probably.
泭
MILLER
Its the Doctor.
泭
CLEO
What did you just say?
泭
MILLER
(not really listening to Cleo)
Shes supposed to be here. Shes
supposed to fix things like this.
Or stop them from ever happening.
Or ever having happened. But all the
intel we have suggests that shes behind
it somehow. And I dont know why.
泭
CLEO
Wait, wait, wait. Are we talking about
the same Doctor? The one normally seen
with a Blue Box. What did Rani call it
a TARDIS? A TARDIS! I thought she was
Mrs Collateral Damage or something.
Lord knows shes got the body count for
it.
泭
MILLER
(suddenly paying attention)
You know about the Doctor?
泭
CLEO
Yes! Finally! Oh my god every time
I tell anyone about her, they just
泭
MILLER
(finishing Cleos sentence)
-泭泭 Completely forget. I was starting
to think I was going mad.
泭
CLEO
You and me both. Though I hadnt quite
stepped it up to kidnapping people.
泭
Very softly, the REDACTED sound effect begins to build throughout this scene as the tension in the music rises.
泭
MILLER
(scared)Its just: if something has
happened to the Doctor, if someones
done something to her, like brainwashed
her or something, then its not just a couple dozen disappearances were going
to have worry about. This could be the
end of the human race.
泭
CLEO
Yeah, youre back to sounding crazy
again.
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (BEAT)
What are you smiling about anyway?
Is this an: Ive lost it and 梆m about
to get out the chainsaw smile or Ive
decided Cleos really earned a cuppa situation?
泭
MILLER
Its just such a relief. You wouldnt believe how long Ive been looking for anyone who remembers her
泭
The REDACTED sound effect rises like a wave, muffling Millers last few words.
泭
CLEO
Are you ok?
泭
Now all of Millers words are muffled and hes slowly repeating himself.
泭
MILLER
Its just such a relief. You wouldnt believe how long Ive been looking for anyone who remembers her
泭
CLEO
Wait, whats happening to you?
泭
MILLER
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Even Kates forgotten
泭
(Miller repeats forgotten and it echoes as if in a loop)
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭
CLEO
Whats happening?
泭
The REDACTED sound gets louder then suddenly stops.
泭
MILLER
(SCREAMING)
HELP! (STATIC) CLEO! (STATIC) HELP ME!
泭
The REDACTED sound effect gets unbearably loud.
泭
CLEO
I dont know how! I dont know what
to do!! Tell me how to help you, I dont
know!
泭
MILLER
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 HELP ME!
泭
CLEO
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Oh my god help!
泭
MILLER
(A TERRIBLE, DISTORTED SCREAM)
泭
CLEO
HELP! SOMEBODY HELP! I dont know
whats happening, I dont know his
name. Oh my god - HELP!!
泭
FX: we hear a small, supernatural rush of air as MILLER disappears in front of CLEOs eyes.
泭
FX: Door opens and KATE STEWART enters.
泭
KATE
Miss Proctor. I need you to calm down
or we will have to restrain you..
泭
CLEO
(frantic)Who are you? What the hell
just happened to that man??
泭
KATE
My name is簫簫簫 Kate Stewart. 梆m Chief Scientific Officer at UNIT, or whatevers left of it.
泭
CLEO
Wheres he gone??
泭泭泭泭泭
FX: Kate sits down.
泭
KATE
Take a deep breath and explain.
(Beat)
What man?
泭
CLEO
The man who was just in here interrogating me! Where is he?
泭
KATE
There was nobody in here with you.
Who do you think you saw? Did he look
like your brother?
泭
CLEO
What? No! He was, tall, bit of a belly, balding, brown hair, brown eyes. He was RIGHT here!
泭
KATE
You believe you heard him speak to you?
泭
CLEO
He did speak to me!
泭
KATE
If youll just calm down -
泭
CLEO
Calm down?! A person just disappeared
Right in front of my eyes! 梆m not talking to anyone until I see my friends. I need to know theyre still here.
KATE
If I bring your friends up, will you
sit down and have a reasonable
conversation with me?兩
泭
CLEO
If youve done anything to them -
泭
FX: Brief static sound as KATE activates a communication device.
泭
KATE
Roberts, would you please bring the
other two girls upstairs?
泭
FX: Roberts muffled reply on the radio.
泭
KATE (CONTD)
Now, Miss Proctor, tell me about
The Blue Box Files.
泭
CLEO
Whats happening right now?
泭
FX: The door opens. ROBERTS enters with ABBY and SHAWNA.
泭泭
ROBERTS
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (to Shawna and Abby) Move!
泭
CLEO
Guys youre OK!
泭
ABBY
Cleo, what happened? Are you alright?泭泭 泭泭泭泭泭泭泭泭泭泭泭泭泭泭
KATE
Thank you for joining us.
泭
FX: The door closes.
泭
SHAWNA
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Who are you?
泭
KATE
I can explain everything, my name
is Kate Stewart, 梆m Chief Scientific Officer at UNIT.泭 And we all need to
de-escalate this situation.
SHAWNA
(to Kate) What have you done to her?
泭
CLEO
No, 梆m alright babe, 梆m alright.
泭
ABBY
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah?
泭
CLEO
I was talking to that man and he just, he disappeared right in front of me-
泭
SHAWNA
What man?
泭
CLEO
Oh youve got to be joking girls?
泭
KATE
Ladies. Enough. 梆m afraid we find
ourselves in something of an emergency.
So please: what is the blue box? What
does it do? And who is behind it?
泭
CLEO
Its called a TARDIS. And it always
shows up with some person called the
Doctor. But thats all I know,
I promise.
泭
ROBERTS
(exasperated) You cant expect us to
believe that.
泭泭泭泭泭泭泭泭泭泭泭泭泭
KATE
(SHARP)
Roberts, 梆m running this interrogation
泭
CLEO
梆m telling the truth! Look I was
just talking to your man about this.
泭
ABBY
Cleo, what are you talking about?
泭
ROBERTS
梆m done with your games. This is a
matter of national security, so lets
handle it as such.
泭
We hear rustling, as if from a bag.
泭
You clearly dont care about protecting yourselves, so lets see how much you
care about protecting each other.
泭
FX: Click of a gun being unholstered and the safety being turned off.
泭
Tense music starts as ROBERTS points a gun at the girls.
泭
ABBY
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 No!
泭
KATE
(furious)
Roberts what the HELL do you think
youre doing?
泭
ROBERTS
Getting answers.
泭
KATE
This is not how we do things,
sergeant. Stand. Down.
泭
ROBERTS
Cant do that maam. I dont like
this any more than you do.
泭
ROBERTS takes slow steps towards the girls.
泭
CLEO
Alright, can we all just chill out for
a second please?
泭
KATE
Roberts, youre looking at a Court
Martial.
泭泭泭泭泭
ROBERTS
Small price to save the world, maam.
泭
FX: KATE MOVING TO PROTECT THE GIRLS
泭泭
KATE
Right everyone, get back. Dont worry
hes not going to use that thing.
泭
ROBERTS
Tell us what we need to know.
泭
ABBY
Hold on. I dont understand. What do
you want from us? We hardly know anything!
泭
(PAUSE)
泭
CLEO
Yeah, hold up - shes right. We know barely anything, so what do you want with us?
泭
Its cause you know nothing, 勳莽紳t
it? You didnt even know who the Doctor
is.
泭
SHAWNA
Wait what Doctor?
泭
KATE
Ms Procter, now is not the time -
泭
The music starts to build into a heroic tune, as CLEO realises she has the upper hand.
泭
CLEO
Thats why youre not getting anywhere
you dont even know what to ask!
Youre running scared.
泭
FX: sound of a gun cocking
泭
ROBERTS
Give us the information we need,
or I shoot.泭泭泭
泭泭泭泭泭
KATE
Roberts I would really prefer not to
have to incapacitate you.
泭泭泭泭泭
ROBERTS
No hard feelings maam. Desperate
times, desperate measures
泭
CLEO
Go on then, do it.
泭
FX: Cleo walks up to Roberts
泭
KATE
CLEO!
泭
ABBY
DONT SHOOT! DO NOT SHOOT!
泭
SHAWNA
CLEO GET AWAY FROM THE GUN!
泭
CLEO
(To others)
Its fine, hes not going to shoot me.
(MORE)
泭
CLEO (CONTD)
(To Roberts)
Because you need us, dont you? You
dont even know who The Doctor is.
Youve forgotten everything. Were
literally your only hope.
(BEAT)
泭
The music fades.
CLEO (CONTD)
Were in charge now, babes.
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭
END OF EPISODE.
泭
The low bassy surge of the Redacted Main Theme comes in, with its distinctive siren-like synths, rushing into a sudden glitch that dips into a slow, soft piano tune.泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 CREDITS泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Doctor Who Redacted: Episode Five,by Sasha Sienna.泭The piano tune keeps going for a moment before picking up the pass with a big beat of drums, strings and synths that turns into the Main Theme tune, a symphony of synths and strings revelling in alien weirdness.泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 CREDITS泭泭泭泭泭泭泭泭泭 Starring: Charlie Craggs, Lois Chimimba, Holly 泭泭泭泭泭泭泭泭泭泭泭泭 Quin-Ankrah, Jemma Redgrave, Pip Gladwin and 泭泭泭泭泭泭泭泭泭泭泭泭泭 Karim Kronfli.泭泭泭泭泭泭泭泭泭泭 Directed and produced by Ella Watts.Sound design by David Thomas and Arlie Adlington. Original composition by David Devereux.A 91腦瞳扦 Studios production.泭With a rush like the TARDIS, the main theme music gets even bigger and louder, turning into a big, bright, fast paced melody that plays to the end of the episode, when it stops abruptly with a sharp glitch which ends with a beep.泭
泭
Podcast
-
Doctor Who: Redacted
The return of the audio drama series, set in the worlds of Doctor Who.