Main content

Do you remember the Doctor? Ten-part drama starring Charlie Craggs, with Jodie Whittaker.

Abby gets an interview with her favourite blogger, Larry Nightingale. The two think that maybe some creatures called Weeping Angels have something to do with the country-wide disappearances. Abby figures that meeting a strange man at night in Glasgow Necropolis is probably fine, yeah?

Credits:

Cleo Proctor - Charlie Craggs
Abby McPhail - Lois Chimimba
Shawna Thompson - Holly Quin-Ankrah
Larry Nightingale - Finlay Robertson
Jordan Proctor - Jacob Hawley
Police Officer - Kieran Hodgson

Additional Voices - Kieran Hodgson

Written by Catherine Brinkworth
Additional Writing by Juno Dawson and Ella Watts
Produced and Directed by Ella Watts
Executive Producer: James Robinson

Sound Engineer: Paul Clark
Studio Assistant: Jacob Tombling
Sound Design: David Thomas
Additional Sound Design: Arlie Adlington
Original Composition: David Devereux
Production Co-ordinators: Sarah Sharpe and Sarah Nicholls
Script Editor: Tasha Dhanraj
Recorded at Sonica Studios, Clapham.

A 91腦瞳扦 Studios Production for 91腦瞳扦 Sounds.

Release date:

Available now

20 minutes

4. ANGELS

Doctor Who Redacted

Episode Four

Written by

Catherine Brinkworth

FX: 91腦瞳扦 SOUNDS STING

SCENE 1

EXT. LONDON STREET - NIGHT.

We hear a long eerie note as CLEO walks home.

Nighttime London atmos: the occasional car and

siren in the distance, some chatter as people pass by.

Beep SFX as Cleo begins recording on her phone.

CLEO

Podcast idea: could we do an episode

on memory? Like when a load of people thought they remembered Nelson Mandela

dying in the 80s. But he hadnt, they

just remembered it for some reason.

Next episode: was he a ghost all along?!

Eerie beep flows into a thoughtful tune.

The clatter of something behind her. Cleo pauses and turns to look around.

CLEO

Oh hello?

She starts walking again.

CLEO

Note two: dont forget to actually

re-listen to these voice notes.

Otherwise genius ideas get forgotten forever.

Beep SFX. Ahead of her, we hear a police radio.

CLEO

What the actual...?

POLICE OFFICER

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (into radio) Yeah sarge, will do.

Outside Cleos building, a group of police officers can be heard

milling around. We hear their footsteps, chatter, patrol car

doors slamming, radios being used.

Cleo approaches a POLICE OFFICER, her stride quicker.

泭泭

CLEO

Hi, sorry, can I get into my building please?

泭泭泭泭泭泭泭泭泭泭泭泭泭泭

A crackle of static and faint voice on the officers radio.

OFFICER

Do you live here, miss?

CLEO

No, I just figured breaking and entering

in front of the police was the perfect crime. What the hell is going on?

OFFICER

Were investigating a potential

kidnapping.

CLEO

Wait Is it Jordan Proctor?

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭

OFFICER

Im afraid Im not at liberty to

discuss

CLEO

Im his sister. So if you know anything,

Im pretty sure you have to tell me.

Its the First Amendment or something.

OFFICER

(BEAT)The person were looking for is a young woman. If your brothers missing

you should file a missing persons report.

CLEO

(Crushed) Forget it.

(Gathering herself up)

Wait so, this woman, is she part of

the epidemic?

OFFICER

Im sorry?

CLEO

The disappearances

OFFICER

What disappearances?

CLEO

Its on the news.

OFFICER

(skeptical)Yeah, well, maybe YouTube

isnt the most reliable source.

CLEO

(defensive)Im not talking about YouTube babe.

OFFICER

Alright miss. This is an active crime

scene so Im going to need to get back

to work. Unless you want to talk to me

about your brother.

CLEO

Can I just get into my building please?

OFFICER

Of course. Does that shifty fella live

here too?

泭泭

CLEO

Wait what?

泭泭

OFFICER

The man who was with you. Just now?

CLEO

What did he look like?

泭泭泭泭泭泭泭泭泭

OFFICER

Tall, dark hair, dark clothes. Sorry,

I just assumed he was with you.

CLEO

No. Im on my own.泭

OFFICER

Right. My mistake.

More thunder. Cleo walks inside.

CLEO

(Softly spoken) Jordan?!

We hear the redacted sound mixed with a soft piano.

CREDITS

Doctor Who Redacted: Episode Four. By Catherine Brinkworth.

The piano tune keeps going for a moment before picking up the pass with a big beat of drums, strings and synths that turns into the Main Theme tune, a symphony of synths and strings revelling in alien weirdness.

SCENE 2

INT. CLEOS FLAT NIGHT

SFX: Cleo starts boiling a kettle

SHAWNA

(on phone)Thats so weird.

CLEO

I know, right?

SHAWNA

Im sure hell be ok babe.

CLEO

Yeah, I know. Hey, listen, Ill

see you later for the podcast

record yeah?

SFX: Cleos kettle boils, and then

泭泭

SCENE 3

INT. CLEO'S BEDROOM - NIGHT.

We hear thunder outside. Cleos sheets rustle

shes on Skype in bed.

Ominous spooky music builds as ABBY tells her ghost story.

ABBY

(On Skype. Quiet, nearly whispered)

Heres a scary story to tell in

the dark. Its the story of Wester

Drumlins. A crumbling house where

people go missing. Where cars gather

rust in the driveway because those

who come to explore step through

the front door...and never come

back out. You shouldnt ignore that

no entry sign thats been nailed

to the gate for decades. But lets

imagine that you have, and youre trespassing into the house right now.

The music suddenly stops and instead we here a strong drum beat like footsteps.

ABBY

The door creaks when you open it.

You know theres something hiding inside, lurking in the dusty ballroom and up the rotting stairs. You just dont know what

it is yet.

Drum beat gets louder and more purposeful with multiple drums.

ABBY (CONTD)

You look down the hallway. Its a

bright day, but the grime in this

house makes it hard to breathe. Out

of a broken window you can see the

garden, and in it, a statue made of

stone. Weathered and chipped. Its

an angel with wings, and its head in

its hands, crying.

Was that a noise outside? You turn

to look and BAM!!!! Without a sound,

that stone angel is behind you, fangs

bared, six foot tall, its wings spread!

It can kill you with a touch. But it

can only move when youre not watching.

So whatever you do...

The music powerfully builds and then suddenly stops.

泭泭泭泭泭泭泭泭泭 ABBY (CONTD)

...dont blink.

We hear heavy rain from outside.

SHAWNA

Dun dun duuuuuun!

ABBY

What do you think?

CLEO

Babe that was scarier than a mouse

in your chicken bucket. That was good.

SHAWNA

Goosebumps! No it was so good,

ABBY

Its my opener for the next episode.

SHAWNA

That story could literally only be

more scary if it was true.

ABBY

Well, it might be true Shawna.

I think the stories about the Weeping

Angels are connected to the blue box somehow.

CLEO

But wait what about the weird amnesia

and the missing people babe?

ABBY

Well thats just it, I think the

Weeping Angels are linked to these disappearances. Ive checked the news

and there are 90 people officially

missing now. Mostly in London, a couple

in Cardiff. Its weird actually, cos I

thought it was 100 yesterday, so I

dunno. Maybe they turned up...dead

or alive.

CLEO

Everyones forgetting stuff.

SHAWNA

Hello! Cleo might not want to

hear all this. About missing people.

ABBY

Sorry Cleo.

CLEO

Its fine. He probably went on Ex on

the Beach again without telling us.

ABBY

And even in the worst case scenario, the weeping angels don't necessarily kill people.

CLEO

Oh...lovely.

SHAWNA

Abby!

泭泭

ABBY

I do have some good news about the podcast.

CLEO

Alien foetus in a jar?

ABBY

Afraid not. But Ive got an interview...

with Larry Nightingale!!

Silence.

SHAWNA

Who?

CLEO

Larry Nightingale? Sounds like a

crooner.

SHAWNA

Ah yeah, I think my Dad had him on

Vinyl actually.

ABBY

Guys! Hes the foremost blogger on

blue box phenomena.

CLEO

Try say that with three fish fingers in

your mouth.

ABBY

He writes for the Into The Unknown blog, which you guys know because I mention it basically all the time.

SHAWNA

...um...

CLEO

(lying)Oh yeah of course yeah.

ABBY

Hes written some of my favourite

articles on there, including this

whole one about the how the angels

link to other paranormal stuff.

Anyway, we were emailing about two

Years ago, then he went quiet...but

now he's back in touch!

SHAWNA

So, okay. In this...story, stone angels -

ABBY

(interrupting) Weeping angels.

SHAWNA

-泭泭 don't kill people?

ABBY

Yeah from what Ive read, they make

people disappear. Its a bit vague, but

it could make sense. I mean, if the

angels can make people disappear, what

else could they take? Our texts, our emails...maybe our memories?

SHAWNA

Statues can't wipe memories.

CLEO

I mean they can if they fall on

your head.

SHAWNA

Abby, did you say youre

meeting up with this guy? Barry

ABBY

Yeah Larry Nightingale, why?

SHAWNA

Well its just, hes a total stranger.

And theres weird stuff going on at

the moment.

ABBY

No honestly its okay, Larrys a

cool guy. He even reckons hes seen

the angels. He says theyre to blame

for the disappearance of his wife and sister.

CLEO

Im sorry Abby, what?!

SHAWNA

His wife and sister are missing?

CLEO

So by cool guy you mean, hes

a murderer Abz?

SHAWNA

Abby, do not meet with this guy please.

ABBY

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Oh guys come on!

CLEO

Oh my God wait, what if Larrys the Doctor? And that's his alias. Like "The Zodiac Killer" or "Mr Tumble".

ABBY

We already agreed tomorrow afternoon.

SHAWNA

Well then cancel! Ghost him before

he ghosts you literally.

ABBY

I will never have this chance again.

It took him two years to reply to my

emails.

A noise outside Cleo's window, like someones knocked into a heavy object.

CLEO

Wait guys. Did you hear that?

ABBY

(ignoring Cleo)

Look -

SHAWNA

(interrupting)

New theory: Larry Nightstalker is

making people disappear. Not stone

angels.

ABBY

OK hes kind of one of my heroes,

actually, so can we not?

Ominous music begins to build as CLEO tries to figure out what the noise was.

SHAWNA

Why am I not surprised with your

taste in men?

ABBY

What is that supposed to mean?

SHAWNA

How can you be so naive?

ABBY

Naive? Im naive?

Abby and Shawnas argument gets quieter as Cleo goes to her

window.

CLEO

One sec guys, I think theres

something outside.

FX: Various squeaking floorboards.

Tense music builds.

Is that the sound of something clinking against brickwork as it climbs up her building?!

ABBY

Shawna, Ive made my decision,

alright? Its midnight and thanks to interruptions I've only explained one

third of my research notes and Ive

not even got mum into bed yet

We hear CLEO speak clearly over ABBY and SHAWNAs argument in the background.

CLEO

(steadying herself and breathing out)

OK.

ABBY (CONTD)

(In distance)

Do you know how many hours I spend

on this stuff? Because were in

danger and we need answers?

CLEO

(forcefully) Oi! Excuse me!

Whos there? Hello!

(exasperated)

泭泭

SHAWNA

(from the laptop) Cleo?

Cleo shuts the window and gets back into bed.

CLEO

Sorry girls, I thought I heard

someone outside.

ABBY

Well, look what youve done, Shawna.

Youve spooked Cleo.

SHAWNA

Well she should be spooked. Theres

a psycho on the loose.

CLEO

Guys, guys come on. Ive got work

Tomorrow and I think it would be

Better if sleep on it and sort it

out once were fresh, you know.泭

ABBY

Fine. We'll talk tomorrow. After

the interview.

SHAWNA

Hm.

Skype hang up tone.

泭泭

CLEO

(sighs)Thanks guys. Good talk.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭

泭泭泭泭泭泭泭泭泭泭泭泭泭泭

SCENE 4

EXT. LONDON STREET - DAY.

Traffic and chatter all around as Cleo walks down a busy street.

Cleos phone starts to ring.

JORDAN

(frighteningly distorted)泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭

CLEO?

CLEO

Jordan you mug! Finally. Mums been

going mad thinking youve been

kidnapped or something -

JORDAN

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (distorted)

CLEO? CLEO? ARE YOU THERE?

CLEO

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Jordan?

JORDAN

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (distorted)

I---I DONT KNOW WHERE I AM

CLEO

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Jordan can you hear me?

JORDAN

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (distorted)

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 IM IN LONDON --- IS THAT ME ---

CLEO

Its gonna be ok! Tell me where

you are and well come get you.

JORDAN

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (distorted)

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I DONT KNOW WHATS GOING ON ---

CLEO

Jordan can you hear me?!

JORDAN

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (distorted)

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 HELP! HELP CLEO! --- CLEO

The REDACTED sound effect crescendos into static.

CLEO

Oh my god. Ok.

JORDAN

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (distorted)

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 CLEO HELP ME --- IM SCARED

泭CLEO

OK, OK.

We hear street noise, people chatting in the background and cars going past.

Sound of Cleo dialling Abby.

ABBYS VOICEMAIL

Hi, this is the voicemail of Abby

McPhail! If youre calling The Blue

Box Files -

Cleo hangs up, frustrated.

CLEO

Ugh! Wheres the local true crime

Lad when you need her. God.

Sound of Cleo dialing Shawna

SHAWNA

Cleo!

CLEO

Oh my god Im so glad you picked up.

SHAWNA

Abbys gone to meet that man. On her

own! Craig bailed on her. Can you

believe that?

CLEO

Oh no!

SHAWNA

I know right?

CLEO

Ugh no, Shawna, I got a message from

Jordan

SHAWNA

Awesome! Im glad hes alright -

CLEO

No, no, Shawna, listen to me. It had that

weird static on it. Like it was all distorted and stuff. And then he said

he said he was scared. And I think whoevers taking people I think they might have him too, and I really, I dont know what to do.

Shawna, I dont know what to do.

SHAWNA

(BEAT)

CLEO

Shawna?

SHAWNA

Right we need to get to Abby. Now.

CLEO

But Im supposed to be at work. And

Glasgows like a thousand miles

away. I can barely manage zone 6.

Its so expensive -

SHAWNA

Tickets on me alright.

CLEO

Ugh, babe -

SHAWNA

(CUTTING ACROSS)

Well find Jordan. I promise.

But we have got to get to Abby before

she vanishes too.

An ambulance siren on the street merges into the roar of a train flying past.

SCENE 5

INT. TRAIN

The train stops, doors open, and after a minute Shawna gets on.

FX: In the background we hear the train move rhythmically along the train tracks.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭

CLEO

Babe! Ive saved you a seat.

SHAWNA

Are you alright?

CLEO

Yeah course, why wouldnt I be

all right? Ive got cheesy puffs,

Im facing the right direction

on the train. Im fine honestly,

Im fine.

SHAWNA

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Well thats a lie

CLEO

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 No!

SHAWNA

Come here.

Sound of Shawna giving Cleo a huge hug. CLEO sighs.

SHAWNA (CONTD)

Oh youre shaking. Babe.

CLEO

Its just, Jordan, and what happened

to my Dad, and I just

SHAWNA

Look Im sure hes going to be OK.

Now. Weve got a good 5hrs to go and

a jumbo bag of cheese puffs to

get through.

We fade out on the train atmosphere and wistful music builds into the next scene, as CLEO and SHAWNA travel up to Glasgow.

SCENE 6

EXT. GLASGOW NECROPOLIS - NIGHT.

BEEP of pressing record. Outdoor atmosphere.

ABBY

This is Abby MacPhail and youre

listening to the Blue Box Files.

Im recording this out and about

from the Glasgow Necropolis. Its

about 7pm and today I was meant to

interview Larry Nightingale from

the Into The Unknown blog. Ugh But

hes nowhere to be seen. And Ive

been thinking a lot about the Weeping

Angels and...well, its only now

Im here that Ive realised. He

suggested meeting in this giant

graveyard. And there are quite a

lot of statues here...

Deep, ominous music starts to play.

Sound of stone scraping. Sudden burst of birds flying up into the sky. ABBY jumps.

ABBY (CONTD)

Did you hear that?

(beat)

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Lets see if I can record these noises.

Record BEEP. Sound of stone scraping again. BEEP to stop the record.

ABBY

I dont like this. Im giving him

ten more minutes. And if he is a

murderer Shawna: Im sorry, you

were right, I was wrong. Please dont

let it go to your head.

The recording cuts. Then starts again. Tense music builds in time with ABBYs footsteps as shes walking.

ABBY

Ok, Ive found something. It was on

the ground in the mud right by where

I was supposed to meet Larry. Its

an old metal box. Like properly ancient.

And its got my name on it.

FX: More stone scraping. Footsteps in the grass and wet soil.

ABBY

I can hear someone coming. Larry?

Is that you?

Rustling as ABBY moves backwards. Footsteps move towards her then get faster. The tension builds horribly. We can hear Abby's frightened breath in the microphone.

ABBY

Oh my God! Shawna! Cleo!

泭泭

SHAWNA

Come here you beautiful Scottish

lunatic!泭

They launch together for a hug.

CLEO

Give us a kiss you silly goose.

泭泭泭泭泭泭泭泭泭

ABBY

What the hell are you doing here?!

SHAWNA

Rescue party.

ABBY

I cant believe you guys came

all this way!

SHAWNA

We werent exactly going to sit and

wait for you to get murdered.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭

ABBY

Yeah but train tickets havent been

affordable since the 90s!

泭泭泭泭泭泭泭泭泭

SHAWNA

What are savings for? Ill get a

gaming rig next year.

ABBY

釦堯硃滄紳硃

CLEO

Ok, not that this isnt adorable but

we need to get out of here before

Larry Nighting-murderer shows up.

ABBY

Wait.

CLEO

Listen, Abby. My little brothers

in trouble. Somethings happened

to him.

ABBY

But what if our best chance of

finding him might be in this box?

ABBY taps on a large metal box

CLEO

Is that from Larry?

SHAWNA

Fingers crossed its a Blue Peter

time capsule and not, you know,

human remains.

ABBY

Right lets see. Hmm ok.

泭泭泭泭

Sound of ABBY working on a combination lock. Distant traffic in the background.

The lock snaps open.

SHAWNA

Howd you do that?

ABBY

2008! Its the year Larrys sister disappeared.

CLEO

Oh god, it IS going to be body bits.

The sound of creaking metal as ABBY opens the box.

BEAT as Shawna and Abby take it in

CLEO

I cant look. Guys. Guys! Whats in it?

SHAWNA

Its a宇ape recorder. Really old

by the look of it. Like, 1930s old.

Lets see if it still works.

Here goes.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭

CLUNK as an old play button is pushed. Vintage tape FX.

LARRY

(On tape)

Hey there Abby. Well, I hope its

Abby listening to this. This is Larry.

Larry Nightingale.

Eerie, high pitched music plays as we hear LARRY on the recorder.

LARRY

I hope you remember me. And that you

find my tape, and that it survived all

those decades buried under a hedge in the necropolis. I have a bit of explaining to do. So heres my story.

Larrys voice blends from being on tape to as if hes speaking directly to them, telling the girls his story.

In the background, eerie music plays, sounding spookier as his story becomes more supernatural. 泭

A while ago, in 2021, you emailed me

about the blue box. Your enthusiasm

was amazing. Love the podcast, by the

way. I wanted to talk to you, I really

did, but things werent going too well

for me then. My wife Natasha had gone missing, and not long after that I

started losing my memory.

At first I thought it was the worry,

the grief. Affects everyone differently, doesnt it?

But then my notes started vanishing.

I had 15 years of notes on the Weeping Angels - evidence, sightings. At first, pages disappeared. Then blog posts.

Then whole folders. Ironic really.

Natasha always wished my notes would

take up less space in our kitchen.

LARRY (CONTD)

Anyway. Soon, colleagues and friends

started going off the radar.

Eventually everyone would forget they

even existed.

But the worst of it all was that I

began to forget Natasha. The love of

my life and it was like, she was

becoming a stranger to me in my own

head. So I confronted the angels. Id

been blaming them for my muddled brain.

I was so angry, my mind felt like it

was falling apart- I barely escaped

with my life, thanks to an old

friend.

I was taken back into the 1920s.

And there she was, Natasha it was

like shed never left. As soon as I

saw my wife it was like my memory

reset. It all came back at once. I

had a banger of a headache too,

I can tell you.

But the angels arent to blame for my amnesia. In fact, it was almost like

they were running from something. They

always have these monstrous, angry expressions I mean you saw the photos.

But not this time. This time they

seemed scared. I didnt think anything

was more powerful or dangerous than

the angels. But theres something

going on here. Something bigger.

We hear more scraping stone sounds. Whispering, beeping, the wind picking up as the tape continues. The music becomes increasingly tense.

LARRY (CONTD)

Normally the Doctor would help, but

its almost like the Doctors turned

against us.

LARRYs voice blends back to sounding like its coming from the tape.

LARRY (CONTD)

And if thats happened

then匈 dont know how were going to

make it out of this alive.

Im sorry, I cant help you. I know

this is going to leave you with more questions than answers. But its

already starting to fade again.

The angels, the Doctor, my wife,

my sister, everything

But Abby: be careful. Watch

out for the Blue Box

On Blue Box, LARRYs voice distorts and becomes deeper as the tape ends with a CLUNK.泭

SCENE 7

EXT. GLASGOW NECROPOLIS NIGHT

SHAWNA

Can we go now?

CLEO

Wait he mentioned the Doctor.

ABBY

What doctor?

CLEO

The Doctor you two cant remember.

SHAWNA

Guys, this is all great conspiracy theorizing we could be doing at

Abbys Mums house. 100% more

biscuits, 100% less chance of

murder.

Sound of a beep. Muffled talking. People getting closer, hiding.

MAN

(CLOSE, WHISPERED ON RADIO)

All three targets acquired.

CLEO

Wait, did you hear that?

SHAWNA

Well considering the last five

minutes of undiluted crazy youre

going to have be a bit more specific.

I mean as if he travelled in time

ABBY

Shawna what more proof do you need?

Look at this thing, its ancient!

SHAWNA

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Come on!

CLEO

No, seriously, ladies, I think

theres someone watching us. I

dont like this.

We hear a radio static and the soldiers move in loudly, no longer hiding.

MAN

Nobody move!

泭泭泭泭

ABBY

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Oh my god!!

Sound of taser followed by ABBY collapsing with a thud.

SHAWNA

Abby!!

ABBY

Oh my god Get off her!

Another taser, SHAWNA shouts and collapses.

Another taser. Soldiers running forward.

CLEO

DONT TOUCH ME! Get OFF! HELP!

Another taser. Sound design becomes kaleidoscopic as Cleo loses consciousness.

CLEO

(Mumbled) Doctor劣elp us

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 泭

END

Soft piano tune begins to play.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 CREDITS

Doctor Who Redacted: Episode Four,

By Catherine Brinkworth

泭The piano tune keeps going for a moment before picking up the pass with a big beat of drums, strings and synths that turns into the Main Theme tune, a symphony of synths and strings revelling in alien weirdness.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 CREDITS

Starring: Charlie Craggs, Lois Chimimba, Holly Quin-Ankrah, Karim Kronfli and Finlay Robertson.Directed and produced by Ella Watts.

Sound design by David Thomas and Arlie Adlington. Original composition by David Devereux.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 A 91腦瞳扦 Studios production.

泭With a rush like the TARDIS, the main theme music gets even bigger and louder, turning into a big, bright, fast paced melody that plays to the end of the episode, when it stops abruptly with a sharp glitch which ends with a beep.

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