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Why are black people more likely to be sectioned?

地nd the disabled dancers giving an insight into Ellie Goldsteins Strictly journey

Black people are four more times likely to be sectioned compared to white people, according to the mental health charity, Mind. That number is rising, but why?

As the new Mental Health Act 2025 rumbles through Parliament, hoping to address some of these inequalities, we meet Shocka, a former member of the grime collective, Marvell. He has been sectioned four times and tells us what time in a psychiatric unit can feel like.

Kadra Abdinasir, Associate Director of Policy for the Centre for Mental Health, joins us too to talk about why a framework around racial inequalities is crucial to improved mental health outcomes for black people and other minority groups, and the worry she and others have that it wont be included as a priority in the Act and legally binding.

Actress and model Ellie Goldstein has made a strong start in this years Strictly Come Dancing competition with her professional partner, Vito Coppola. We go behind the fake tan and sequins with Sam, who has learning disabilities, and his dance teacher, Jo Banham from Sensational Care Provisions, to find out how the duo might be pacing themselves, the moves that might not work for them and how they are managing to learn a new dance every week.

Presented by Emma Tracey with Kirsteen Knight
Sound mixed by Dave ONeill
Produced by Emma Tracey and Kevin Satizabal Carrascal
Series producer is Beth Rose
Editor is Damon Rose

Release date:

Available now

36 minutes

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Transcript

8th October 2025

bbc.co.uk/accessall

Access All episode 181

Presented by Emma Tracey

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Hello, Im Emma Tracey, this is Access All, and later in this episode well be talking about why black people are four times more likely to be sectioned than the rest of the population. Heres a clip.

[Clip]

MALE-泭泭泭泭泭泭泭泭泭泭泭泭泭 I came home one day, I was screaming, shouting, trying to break things. Luckily, one of my uncles was a doctor and said, We need to get him an ambulance, hes having a manic episode. I think after two days into my sectioning I kind of came back to myself and I tried to leave, and I got injected, and then I woke up in this room with my mum looking through the flap telling me that its all going to be all right.

[End of clip]

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 More of that later on. Ive got Kirsteen with me again. Hi, Kirsteen.

KIRSTEEN-泭泭泭泭泭泭 Good to be back.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Can I tell you a little story?

KIRSTEEN-泭泭泭泭泭泭 Go on.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 A little happy story. Last week I was in London doing various things around the city, and I counted over a three and half to four day period I had 20 different assistants on the Transport for London network and National Rail. Every single arm I took to get me from one train to the next, up the stairs out of the station, down the stairs into the station, arrived exactly when they said they would, did exactly what I needed, and we had some great micro chats along the way, and two of them even said they were subscribed to the podcast.

KIRSTEEN-泭泭泭泭泭泭 Thats amazing.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Isnt it so good to able to like say good news and say nice things, because we talk so much about how accessible travel can be so difficult.

KIRSTEEN-泭泭泭泭泭泭 It must be something of a record. But I mean assisted travel when it works is fantastic, its just that nagging little feeling all the time that somethings going to go wrong, and when it goes wrong, it often goes really wrong.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Whats the wrongest its gone for you?

KIRSTEEN-泭泭泭泭泭泭 It was worse actually before I used a wheelchair. I would go up to Glasgow a lot. The reason I used it is because the platforms at Euston are soooo long.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 So you have MS, youve some mobility issues.

KIRSTEEN-泭泭泭泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Youre a wheelchair user now, but before that you were ambulatory.

KIRSTEEN-泭泭泭泭泭泭 Yeah. And then coming back late on a Sunday night from Glasgow and getting into Euston and waiting half an hour for assistance to arrive that doesnt. Then just that awful thought of trying to hobble, I dont know, is it 500 metres or more, and Im on my knees by the time I get there.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 I think these sorts of news stories get so much traction, like Tanni Grey-Thompson crawling on and off trains, Frank Gardner, Security Correspondent, left on an airplane for X amount of time. Because people cant actually believe it, like they kind of suddenly maybe have put themselves in your shoes and go, Oh my god, thats really, really rubbish. And Frank Gardner, do you know what I mean, how has he been left on a plane?!

But we are so used to it that I feel like we take an awful lot of it on the chin, dont we? And I think thats why in one way its good to tell a good story, but in another way its good that we cover it so much on Access All, because we suck up so much of it and let so much of it drop because its too hard to be complaining all the time.

KIRSTEEN-泭泭泭泭泭泭 Well, absolutely. And this used to happen to me before social media was a thing, but I dont think even if Twitter was available then, or X as its called now, I would have thought of putting that on social media because it was just such an everyday thing.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah! [Laughs] Its just like I washed my teeth and I was left on a train!

KIRSTEEN-泭泭泭泭泭泭 Yeah. I didnt know that that was a news story.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Can I tell you a really quick story before we finish?

KIRSTEEN-泭泭泭泭泭泭 Go on.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 I got the sleeper to Scotland recently, and often when you wake up the train has already stopped, it comes in really early, and then the breakfast guy came with the tea and stuff and I had it, and then I was like rushing and waiting on the edge of my bed, waiting for the assistance to arrive and was like, Oh my goodness, whats happening? Why is assistance not arriving? And then there was a big announcement, but the speaker wasnt working in my little room so I went out to check, I was like, My assistance isnt here yet, why is it not here yet? and they were like, Because were not in yet, were stuck at Carstairs! [Laughter] Were half an hour out of Edinburgh and here was me freaking out, all packed and all like made up and all ready to go. It was a good hour and a half from when I asked that question to when I actually got into Edinburgh, and I just felt so stupid, and I just thought, Why could the person bringing me the tea not have just sort of mentioned it?!

KIRSTEEN-泭泭泭泭泭泭 The overall lesson is, its not just access that screws up sometimes, sometimes its a disabled person.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah! [Laughter]

KIRSTEEN-泭泭泭泭泭泭 We havent always got the moral high ground.

MUSIC-泭泭泭泭泭泭泭泭泭泭泭泭 Theme tune.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Yes, I am Emma Tracey and this is Access All. Ive got the lovely Kirsteen Knight with me for the episode today. Please do subscribe to us on 91腦瞳扦 Sounds, and you can get in touch with us, were on email accessall@bbc.co.uk

Now, this is the bit where we talk about the stories, the disability related stuff thats been happening in the last week, and one of the big, big, big stories is Ellie Goldstein on Strictly Come Dancing. She is an actress and a model with Down syndrome, shes been partnered with Vito Coppola, shes doing great. Kirsteen, have you been watching?

KIRSTEEN-泭泭泭泭泭泭 I always watch Strictly when theres a disabled dancer on.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, me too. Im particularly invested when there is a disabled dancer on. Now we sort of wanted to get a bit of insight into what might be going on in Ellie and Vitos training room, so we brought in Jo Banham. Jo Banham has been on Dancing with the Stars in the Netherlands, shes been on Britains Got Talent with a dance partner with Down syndrome, Nathan. Shes had a viral video with Nathan thats had over 30 million views, and she teaches people with learning disabilities to dance. So you are, Jo Banham, in a unique position to talk about this, arent you?

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Absolutely. A very, very wonderful position having worked with so many lovely adults with learning disabilities.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 So how from this unique position do you feel Ellies getting on?

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I think shes doing fabulously. I think the first live show people underestimate whether you have a disability or not. Its always a very intense moment, and theres lots of emotions and lots of things, and I think to see her having smashed it two weeks running, shes done such a good job, and her and Vito just have incredible chemistry, which is lovely.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 They do. They really do have incredible chemistry. And Kirsteen, you used to be a dancer, didnt you?

KIRSTEEN-泭泭泭泭泭泭 Yeah. I was in my last year at dance school training when I got MS.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 So whats your burning question to Jo about Ellies performance so far?

KIRSTEEN-泭泭泭泭泭泭 Well, I mean obviously the personality is the big thing, and that shines through in every move she does. After I became disabled, I got a lot of work as a disabled dancer, and that often involved not just performances but teaching and doing workshops. I work quite a lot with people with learning difficulties, and obviously what can be an issue is just learning the sequences and the steps. What really surprised me with Ellie, was just how complex her footwork was and just how much she was able to remember. Did that strike you, or do you think theres some sort of technique that they may be using to help?

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I think Ellie had done some dancing prior to obviously entering Strictly Come Dancing. I dont think it was ballroom and Latin, but that all helps, when youve had a foundation in dance, I think that really helps with things. But I think what really works with them is Vito and the way hes training her, hes really built that level of trust with her. Shes obviously very quick and on the ball at picking up things, and I think he really picks moves and routines that really complement her. Like when she did the cha-cha, you talk about her personality, but all those moves she just shined through in everything. So he picked some really clever bits of choreo to really show off how clever she was and how creative she was, and how much her personality could just sparkle all across the dancefloor.

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I thought that particularly showed in the cha-cha-cha, because what shes got really good is isolation.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Whats isolation?

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Shes got great rib isolation, so she can move then without the rest of her body doing, and her hip moves are fantastic, I mean that whole piece played to her personality.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And Jo, earlier I spoke to you in the dance studio with your class of adults with learning disabilities.

[Clip]

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Hi Emma.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Hello, how are you? Its all happening.

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Im very well. Were literally waltzing right now, arent we, Sam, with the team.

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah.

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 You can see all the team, do you want to give a wave to Emma? [Team wave and hi]

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Hi.

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Were doing a fabulous dance workshop, and were doing the waltz, just like Ellie did on Saturday night.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Have you ever done the waltz before, Sam?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Never.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 What would you say, Jo, is the first thing youll need to teach Sam and the others for the waltz?

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 We were just learning the box step, which is forwards, side, close, which is the one, two, three that Shirleys always talking about.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Okay, brilliant. Sounds like a really good basis and a really good start. Sam, tell me about yourself, who are you?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 So Im Sam. Im part of the team. [Cheers from the team]

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Are you a dancer, Sam?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yes, always.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And what do you like about dancing?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I like the swift of it.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 The swift of it?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Does that mean how fast it is?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And whats your favourite dance to do?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Its got to be the waltz.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Its got to be the waltz. But youre just starting that one. What one have you done before?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 We did the jive.

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 You liked the jive, didnt you?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah.

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 That ones fast paced.

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 God, yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 How do you feel when youre dancing?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I feel so relaxed in a way.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Its a way of letting off steam?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And Sam, have you been watching Ellie Goldstein on Strictly?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yes, loved her. Loved her.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Loved her. What did you like about her on Strictly?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 The costumes are brilliant on her.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 How about how she moves?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 So elegant, so swift.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Is there anything else you want to tell me, Sam?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Im actually independent living, just moved in.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And hows that going?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Its going all right. Moved in yesterday.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Are you living on your own, or are you living with some people?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 With some people.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Do you have to cook for yourself now as well?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yes.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Whats for dinner tonight then?

SAM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Not a clue.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Not a clue. [Laughter in background] Well, youre going to need a nice big feast after all this waltzing. Thank you so much to Jo, and thank you, Sam, as well for bringing us into your dance class, I feel so privileged.

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Thanks, Emma. I think the team would love to say keep dancing.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Is everybody ready? [Agreement] One, two, three.

ALL-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Keep dancing!

[End of clip]

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Is there any moves that maybe Ellie and Vito would be less likely to try, or any dances that would be particularly difficult do you think, Jo, from your knowledge of Strictly?

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I think the samba is the curse of Strictly, but I think Ellie will smash that one based on the cha-cha and talking about isolating those hips. But I think the more challenging elements will come potentially with lifts, as the weeks go on we like to see the celebs do more and more challenging lifts. And shes done a few drops and bits with Vito, but obviously lifting can be quite dangerous and potentially risky, and I dont know if shell have the confidence to want to take... I actually take that back, I think shes more than got the confidence, but Im not sure if thats necessarily where her forte will lie in being lifted.

One thing that would be really great to see Ellie improve on, she picks her feet up quite a lot, which different styles of dance use that action, but in ballroom and Latin we use a lot more connection with the floor. So that would be really awesome to see her work on that over the coming weeks.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 But thats interesting, because the judges have been asking her to do that, havent they? And Ive been so interested listening to the judges and how theyre giving their feedback. So youve met one person with a learning disability, lets absolutely say that, but from your experience of teaching people with learning disabilities to dance, what advice would you give to Vito and the judges in terms of feedback?

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I think how you deliver that information is crucial. Its not that you cant deliver criticism, but I think picking your time and picking your tone is invaluable. And I think thats true of anybody whether they have a learning disability or not, I think you can really enhance and really build the confidence of a dancer through learning and through criticism, but its that choice of how. Those judges comments straight after shed danced, thats quite a tense moment I think, because youve got all these emotions running through your body, youre absolutely flooded with feeling fabulous about what youve just done, and it can then be a bit flat if afterwards the judges have got some sort of more feedback and constructive criticism for you.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 In terms of your teaching and the workshops you do and everything, what kind of adjustments and differences would you say need to be in place for some people with learning disabilities when theyre learning to dance?

JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Whether you have a learning disability or not, top tip, make sure you eat. Your blood sugar will affect anything more than any learning disability potentially. But really its about getting to know the individual, each individual has their own triggers whether theyre able to communicate that or not. And I think thats the difference, somebody who may have more awareness of their feelings may be able to tell you theyre feeling overwhelmed. Whereas working with someone with Down syndrome, it maybe is more your responsibility to sort of spot those signs and signals. And they do give them off. So I think Vitos amazing relationship with Ellie will really help build that, because hell spot that and then be able to step in and work out when she needs more time, when she might need a break.

I dont necessarily think you can group anybody with a disability in one box. I know when Ive taught, Ive found a lot of visual learning helps, so Ive done red sock, blue sock, so rather than left foot and right foot, weve put a different coloured sock on each foot. But I also find that works really awesomely again even with those without disabilities, lots of people struggle with left and right.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 I think I could talk about this all day, this is my issue, Jo Banham, but we are going to have to let you go. And thank you so much for giving us a wee bit of an insight into what might be happening in Ellie Goldstein and Vitos training room.

泭JO-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Thank you very much, Emma, and lovely to see you Kirsteen.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Okay, Kirsteen, thats enough Strictly talk for now. I know youd like more.

KIRSTEEN-泭泭泭泭泭泭 I know! I had so many more questions.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 But listen, there is another subject close to your heart that I do want to talk about, and that is wheelchairs, because you have a snazzy wheelchair with a powered attachment.

KIRSTEEN-泭泭泭泭泭泭 I do. It goes really fast. But it wasnt always the case. I used to struggle along in a top of the range Argos one, which was totally different to this.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Okay, so you never actually went through and had an NHS assessment and Wheelchair Services and all that?

KIRSTEEN-泭泭泭泭泭泭 I did eventually, because after a while everyone was saying, This wheelchairs so rubbish.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And was it pride, or what? Youve been disability sort of activist-y for a very long time, what was it that was making you try and get around in an Argos no offence to Argos, other markets are available etc but why struggle along with a high street wheelchair?

KIRSTEEN-泭泭泭泭泭泭 I have no issue in saying Im disabled and using every service thats going. I suppose I was just a bit of a part-time wheelchair user. But as I needed it more, what became a real issue is Im pretty small and your standard wheelchair from Argos or anywhere else is quite big, so nothing really worked properly.

And then I became aware that there was this thing called the Wheelchair Service, and I was absolutely amazed that I went along and they said, Well get a chair specially made for you, and you can have Z amount of money, which was ten times more than my Argos one cost. But I am very lucky because I use a manual chair and it was simple and didnt need adaptations, and around that time I became aware that the people that need much more sophisticated chairs but cant get them.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Well, this is why were talking about this, because a couple of weeks ago there was a story on the 91腦瞳扦 that Whizz Kidz, which is a charity that helps people under 25 years old to access wheelchairs, have had to close their waiting list because they had 1,000 names on it, and they said that escalating costs and squeezed NHS budgets were the reason why the list has gone so long, theres such huge demand and long delays.

And actually loads and loads of you got in touch with the 91腦瞳扦 with your stories, adults and children. We had Anthony from Reading who he says became wheelchair dependent in 2014, and he got the voucher that you got from Wheelchair Services and he said it was 瞿1,100 in 2014, and hes just gone to look for another wheelchair because they dont last forever, right and the voucher is still the same amount, even though he says that wheelchair costs have spiralled. So he said the voucher that you get from the NHS to get yourself a wheelchair doesnt cover the wheelchair anymore, in his opinion.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 And then we had Harbinder from London who actually sent us a voice note.

HARBINDER-泭泭 My son has been waiting 18 months for a suitable NHS wheelchair. Hes been severely affected by long COVID and is now unfortunately disabled. Hes been forced to use his grandmothers wheelchair but its just not right for him. We tried Whizz Kidz, but sadly its closed its waiting list. There are thousands of children with long COVID who now need wheelchairs. Many dont meet the narrow NHS criteria, others cant get support from the NHS, and those like ourselves who have NHS support and meet the criteria, still have to wait for years. Its heartbreaking and utterly awful.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 A heartfelt message there from Harbinder about her newly disabled son. I mean theres a lot youre going through anyway without... theres a road theyre going down, theres a journey theyre on, and having struggles with getting a wheelchair to get around is just one part of that, isnt it?

KIRSTEEN-泭泭泭泭泭泭 Its great though that he can use his grandmothers wheelchair, but it really shouldnt be like that. Imagine in the government, NHS, or other authorities, were going round chopping off non-disabled peoples legs, because thats essentially what youre doing to a disabled person when you say that you cant have the wheelchair you need.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Strong words there, Kirsteen Knight. We actually got an email to our inbox from Ade in Wales whos 25, and his family have funded and raised money for every chair hes ever had. He needs a 14 grand wheelchair, thats what theyre raising money for just now. One of his issues is and Ive looked this up and it is true he cant get a powered wheelchair from the NHS, which is what he needs, because he cant drive it himself all of the time. So he can drive it some of the time, but not all of the time, because he has a cerebral palsy where sometimes his muscles are really, really tight, sometimes theyre totally floppy. Usually someone has one or the other. And hes got dystonia as well which means shaking, so he needs arms guards, hes got scoliosis, he needs specialist back support, he needs a special head support so he can drive.

But not driving he says has had a massive, massive effect on his mental health. Like that bit of driving himself gives him a little bit of independence, a little bit of feeling that he has more agency, and he says that with the new very, very expensive wheelchair hell be able to drive himself 60% or 70% of the time. So its just every family is going through a different thing, isnt it?

KIRSTEEN-泭泭泭泭泭泭 And the issue with electric chairs is a big one. Again when I was getting my manual chair, I was close to needing an electric chair, at least outside. But you cant get an electric chair unless you need it indoors as well. Or at least in my area, I think every area is different. So there are so many people out there that are not getting the chair they need.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 NHS England and NHS Wales Joint Commissioning Committee say that theyre working to deliver better services. NHS Scotland say theyre working to protect services. And the Department of Health in Northern Ireland said that by the end of August they had managed to sort people out 87% of the time with a wheelchair within 13 weeks.

Keep your stories coming in. Do you want to talk about dancing? Do you want to talk about wheelchairs? Do you want to talk about travel assistance? Or anything else? Email accessall@bbc.co.uk Or you can send us a WhatsApp, put the word access at the start, sometimes its easier just to talk into your phone, and you can send it to 0330 1239480. Were on Instagram and X as well @91腦瞳扦AccessAll 泭泭泭泭泭

Kirsteen, its been a blast, thank you so much for being with me this week.

KIRSTEEN-泭泭泭泭泭泭 Its been great. Thanks for asking me again.

MUSIC-泭泭泭泭泭泭泭泭泭泭泭泭 Jingle.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 The number of black people sectioned under the Mental Health Act is now four times the number of white people, according to mental health charity Mind, and thats a figure that has gone up in the past year. The Act as we know it was passed into law 42 years ago and times have moved on. An independent review of it in 2018 recommended changes, and were now waiting on a new version of the bill to become law. Ahead of World Mental Health Day, were looking specifically at mental health and racial inequality. With us is Kadra Abdinasir, the Associate Director of Policy at the Centre for Mental Health, which challenges policies and systems. And we have musician, Shocka Erhahon, who has been sectioned four times. Youre very welcome to Access All, both.

KADRA-泭泭泭泭泭泭泭泭泭泭 Thanks for having us, Emma.

SHOCKA-泭泭泭泭泭泭泭泭 Thanks for having us.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Kadra, tell me about the Mental Health Act. Its there to protect people, keep them safe, its there to help them get better. But black people are four times more likely than white people to be sectioned. Why is that, and why is it rising?

KADRA-泭泭泭泭泭泭泭泭泭泭 The Mental Health Act is basically the legal framework that is used when severely mentally unwell people are needing to be detained so that they can receive care and treatment. But what weve seen over time is these huge racial disparities, as you pointed out. They have been long documented in various government policies and reviews, but in the last year weve seen some of the small progress we were making in narrowing down those differences start to creep up again.

Theres lots of factors really that feed into this. We know that many black people who live with mental health problems, theyre less likely to access early interventions, so their problems really escalate to the point of needing to be detained.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Why do they not access those?

KADRA-泭泭泭泭泭泭泭泭泭泭 The biggest challenge really is those huge gaps in provision in communities across the country, they simply dont exist. So were talking about things like talking therapies which just arent available, so people are having to bottle up their problems.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And will this new bill change things?

KADRA-泭泭泭泭泭泭泭泭泭泭 Yeah. Theres some promising things in the bill that the government has committed to. For example, for those who are living with serious mental illness, theres advanced decision making that they want to introduce, so that when they are detained in the future their wishes and feelings can kind of feed into their plans for their care. Theres some stronger measures around accessing advocacy services, so you have somebody whos independent that can support you in navigating the mental health system. Those are all really positive shifts, but theres still some things that we would like to see happen.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 What would you like to see included in it thats not?

KADRA-泭泭泭泭泭泭泭泭泭泭 The bill as it stands, some of the positive changes theyre making is introducing new principles that really highlight the importance of there being a therapeutic benefit in somebodys detention. We want race equity to be one of those principles.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 So is this the framework?

KADRA-泭泭泭泭泭泭泭泭泭泭 Yeah, PCREF. So thats the Patient Carer Race Equality Framework. This is basically NHS Englands first anti-racism strategy. It will require all mental health trusts and providers to co-create with their communities and to raise this strategy to really bring down some of those disparities that you touched on earlier.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 But its not in law?

KADRA-泭泭泭泭泭泭泭泭泭泭 Its not in law. So thats why we want to see that protected through the Mental Health Act, yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Shocka, tell me just a bit about yourself and your experience with mental health?

SHOCKA-泭泭泭泭泭泭泭泭 Well, Ive got a long-!

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Im listening.

SHOCKA-泭泭泭泭泭泭泭泭 Yeah, Ive got a long battle with mental health. As you mention, I got sectioned four times, and I got diagnosed with paranoid schizophrenia.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And youre a musician?

SHOCKA-泭泭泭泭泭泭泭泭 Yes, Im a musician. I started in a group, I was in a group called Marvell. Not Marvell like the superheroes, but we was kind of like superheroes.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 You felt like superheroes.

SHOCKA-泭泭泭泭泭泭泭泭 We felt like superheroes. We was a group from north London, we did incredible things, we toured with Skepta, we toured with Diversity, the group that won Britains Got Talent.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Oh yeah.

SHOCKA-泭泭泭泭泭泭泭泭 Where my mental health journey started is when we lost our record deal, and thats when I spiralled into depression and I end up getting sectioned for the first time.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Why do you think that had such a profound effect on you?

SHOCKA-泭泭泭泭泭泭泭泭 What it does to your identity, because its like your whole identity is derived from the thing that youre doing.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 So what did it do to your identity?

SHOCKA-泭泭泭泭泭泭泭泭 It totally crashed it, it shattered it, because I realised I didnt know myself outside of music. I had to rebuild myself from scratch, like who am I now, theres no music now. And also what people dont realise as well is how cold the industry can be.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Right, so they will just drop you and thats it, youre gone.

SHOCKA-泭泭泭泭泭泭泭泭 And we had no idea about that, we was young kids, we was like 18/19.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And was there any mental health support there for you before?

SHOCKA-泭泭泭泭泭泭泭泭 No, there wasnt support like how it is now. And thats why I wanted to touch on the stats of black males being sectioned, because Im a black male myself and Ive been sectioned a few times, so I can take you into the psyche of what we need to take into consideration of a young black male is how much theyre dealing with. I was doing a live interview with someone and he said something to me that struck me, he said, I cant imagine what it feels like to be born and be immediately pre-judged just because of your skin colour, its like as a young black male you feel unwelcomed.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Tell me about the first time you got sectioned.

SHOCKA-泭泭泭泭泭泭泭泭 Oh my god, the first time I got sectioned was in a hospital called St Anns, which is in Tottenham. I was there for five days. Those five days felt like an eternity. It was such a shellshock for me because I knew those places existed, but I never knew that I would end up in a place like that.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 What was happening when you were taken in?

SHOCKA-泭泭泭泭泭泭泭泭 Oh, I had a big breakdown. I came home one day, I was screaming, shouting, trying to break things. Luckily one of my uncles was a doctor and said, We need to get him an ambulance, hes having a manic episode.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And how were you treated?

SHOCKA-泭泭泭泭泭泭泭泭 The only problem I had was I had a little altercation with the nurses. I think after two days into my sectioning I kind of came back to myself and I tried to leave, and I got injected, and then I woke up in this room with my mum looking through the flap telling me that its all going to be all right. And that was extremely traumatic.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 I know you got sectioned a few times, and same time of year each time, right?

SHOCKA-泭泭泭泭泭泭泭泭 Yeah. Every two years, every December. So when December would come around its like my body goes into like a subconscious shock. I remember my friends used to have this joke in a group chat, every time December comes theyll be like, Wheres Shocka? Make sure hes safe so his mum doesnt call us.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Do your friends support you?

SHOCKA-泭泭泭泭泭泭泭泭 Yes, definitely. I had a great support system. But they supported me in their own way with jokes and not making me feel different, not making me feel unhuman. I think one of the main things that happens when you get sectioned as a patient is that you feel less than human.

KADRA-泭泭泭泭泭泭泭泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 What kind of supports have you had mental health wise?

SHOCKA-泭泭泭泭泭泭泭泭 I didnt go through therapy, and I think it was a culture thing.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, tell me. Because I mean it sounds like you had PTSD, you were struggling with the trauma of the first time you were sectioned, the record deal, your mum got really sick. It sounds like you were a prime candidate for therapy.

SHOCKA-泭泭泭泭泭泭泭泭 Yes, everyone cant believe I havent been therapy.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 You still havent been?

SHOCKA-泭泭泭泭泭泭泭泭 I still havent been. They was like, How have you been sectioned four times and you havent been therapy? But luckily now Ive learnt more, theres different forms of therapy.

KADRA-泭泭泭泭泭泭泭泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Okay.

SHOCKA-泭泭泭泭泭泭泭泭 Some people use adrenalin. Some people have a relationship with god. I use my artform. If you listen to my music its extremely personal. Sometimes I forget that its actually music, that Ive got to make it catchy, because Im just venting in the music.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Right. So how does it help you?

SHOCKA-泭泭泭泭泭泭泭泭 It helps me stay true so that I need to get out of my system without having to say it like in a situation like this. Ill just turn the lights down, no-one would be in the studio, its just me and the engineer. And I cant even believe that hes hearing what Im saying, so sometimes when I come out we look at each other. But hes cool. But therapy is not our first way, theres still a lot of shame around that.

KADRA-泭泭泭泭泭泭泭泭泭泭 As Shocka was touching on there, the power of creative arts. When I mentioned early interventions earlier, thats the type of support we want to see expanded in communities, so finding ways of integrating creativity into the therapeutic journey and process. We also know for many black communities faith is really important to them, so going to like faith groups and organisations. Thats why its really important to upskill faith leaders around mental health so they can talk to their congregations. Its been historically disproportionately black men, but were actually starting to see so many more black women being detained.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Why is that?

KADRA-泭泭泭泭泭泭泭泭泭泭 Do you know what, again theres stereotypes placed on both genders, for black men to be strong, and for black women to be strong in different ways. So being seen as much more resilient and not having vulnerabilities.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Kadra, weve spoken about PCREF a little bit, it feels like a really important part of narrowing those gaps.

KADRA-泭泭泭泭泭泭泭泭泭泭 Yeah. The Patient Carer Race Equality Framework, its all about embedding anti-racist practices within the mental health system, not just within mental health hospitals but more broadly in community. Just to give you an example of some of the work Ive been involved in thats a product of PCREF in Lambeth. They have been working with mental health support teams in schools across the borough to upskill them around cultural competency training. They recognise that young people from black and brown backgrounds werent accessing mental health support in schools at the levels they would have hoped, so the programme was able to upskill those workers to better engage that group in services.

We want the Mental Health Act to really enforce this programme as a statutory requirement so that all mental health services are fulfilling it as a duty and as part of their equalities requirements.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 And its guidelines for delivering services?

KADRA-泭泭泭泭泭泭泭泭泭泭 Its guidelines, but its all about being co-produced with communities. So thats a key part of it.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 So what Shocka was talking about in terms of people not going for therapy first, maybe going to their church because that suits them better, PCREF is kind of about upskilling the mental health workers who support them to know that thats an option, and to speak to them about what would be the best way of getting their feelings out there and helping their head.

KADRA-泭泭泭泭泭泭泭泭泭泭 Yeah, exactly that. Weve got so many assets within diverse communities that we really need to harness, so faith groups, community led organisations. It doesnt just have to be that medical NHS approach really. So its about giving people flexibility and choice in the type of support they serve. This is also important for white people, disabled people, lots of different groups, all of us should have the right to choose the most appropriate form of support really.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Okay. And youre worried that this PCREF might be set aside?

KADRA-泭泭泭泭泭泭泭泭泭泭 I mean the sector as a whole is a bit concerned because its a bit unclear if it will remain a priority of government or not.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 We asked the Department for Health and Social Care if they recognised the racial inequities that weve been speaking about, and they said:

FEMALE-泭泭泭泭泭泭泭泭泭 We recognise there are significant and concerning racial disparities in the rates of detention under the Mental Health Act, particularly for black people. That is why we are modernising the Mental Health Act, to ensure people with the most severe mental health conditions get better and more personalised treatment regardless of their ethnic background.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 We also asked them whether PCREF will become law?

FEMALE-泭泭泭泭泭泭泭泭泭 Its going to be a key part of making these reforms work and will remain a legal obligation for all providers of NHS commissioned mental health services, but it will not be a statutory requirement of the current bill.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Kadra?

KADRA-泭泭泭泭泭泭泭泭泭泭 Weve had lots of conversations with government, and like I acknowledged earlier, theres so much to welcome in the bill. But what were really concerned about is that we started with this whole reform journey on the basis of unacceptable inequalities for black and disabled people, and we now have a bill that doesnt actually even mention race equity. So from our point-of-view its not really good enough, we really need the law to be like super-clear on these issues.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Shocka, whats next for you? Are you doing music at the moment?

SHOCKA-泭泭泭泭泭泭泭泭 Yes, I am. Ive got so much music sitting there waiting to go.

MUSIC-泭泭泭泭泭泭泭泭泭泭泭泭 Music clip from Shocka.

SHOCKA-泭泭泭泭泭泭泭泭 Im also working on my second book.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Oh yeah? Whats the first book?

SHOCKA-泭泭泭泭泭泭泭泭 The first book was called A Section of My Life.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Oh.

SHOCKA-泭泭泭泭泭泭泭泭 I wrote it while I was sectioned.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Thats your Instagram and your book then.

SHOCKA-泭泭泭泭泭泭泭泭 Yeah. [Laughs]

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, excellent. And whats the second book?

SHOCKA-泭泭泭泭泭泭泭泭 The second book is called Obedient to the Core. Its more a faith book.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Okay. Is it about mental health at all?

SHOCKA-泭泭泭泭泭泭泭泭 Not really. That was the end of that chapter.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 What, your whole lifes not about mental health now?!

SHOCKA-泭泭泭泭泭泭泭泭 No. [Laughter] Thats why its called A Section of My Life, its only a section!

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 Are you trying to tell me that you were a full and rounded person, Shocka?! [Laughter] Thank you, Shocka. Thank you, Kadra. And as I say, we will definitely be following this topic throughout the bill becoming law, and beyond as well. So thank you for joining us on Access All.

SHOCKA-泭泭泭泭泭泭泭泭 Thank you for having us.

KADRA-泭泭泭泭泭泭泭泭泭泭 Thank you.

MUSIC-泭泭泭泭泭泭泭泭泭泭泭泭 Jingle.

EMMA-泭泭泭泭泭泭泭泭泭泭泭泭 That is it for this episode of Access All. If youve enjoyed what youve heard and youve not subscribed already, please hit that big button on 91腦瞳扦 Sounds and then you will have Access All down on your device every single week at least once, and sometimes we throw in a little special just to keep you on your toes. You can email us, accessall@bbc.co.uk, and you can send us a WhatsApp voice message or a text message on 0330 1239480. Why not follow us on social media, we put up some lovely videos, and that is Instagram and X @91腦瞳扦AccessAll. Thanks for listening, see you next time. Bye.

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