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Climate Change: As seen by disabled people in peril

Two disabled Pacific islanders on life as the sea rises.

From fresh-water wells flooded by salty sea water, to avoiding inaccessible emergency shelters, we hear from Ari in Samoa and Melvina in the Solomon
Islands about the impact climate change is having on their very exposed corner of the world.

It comes as COP28, the UN summit which convenes annually to try and solve the climate crisis - draws to a close in Dubai. This years event was meant to be the most inclusive ever but was it really? The European Disability Forums Gordon Ratray, who attended, gives us his lowdown along with Jodie Santos from The Disability Justice Project who is based in Massachusetts, USA.

With Christmas party season under way, presenters Nikki Fox and Emma Tracey give their best tips for accessible fashion, with help from a couple of YouTubers.

And world-renowned poet Raymond Antrobus joins the duo to talk about poetry, getting his work on the GCSE syllabus and his childrens book
Can Bears Ski? About his deaf experience it has been turned into a theatre show that he cant wait to take his son to see.

Recorded and mixed by Dave ONeill. Produced by: Beth Rose, Emma Tracey, Damon Rose, Alex Collins and Betty Douglas. The editor is Damon Rose, senior editor Sam Bonham.

Alexa, ask the 91腦瞳扦 for Access All plays the latest edition of the programme. Follow us on X, formerly Twitter, @91腦瞳扦AccessAll and on email were
accessall@bbc.co.uk.

Release date:

Available now

39 minutes

Transcript

11th December 2023

bbc.co.uk/accessall

Access All episode 82

Presented by Nikki Fox and Emma Tracey

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 So, weve been on air for about 18 months now, and were about to move on to the fourth disability minister in that time. We heard the news last week that Tom Pursglove, who weve interviewed on this show, well he has moved position in government after Robert Jenrick resigned. So, now Tom is the minister for legal immigration. And presently there is an opening for another disability minister.

SOPHIE-泭泭泭泭泭泭泭泭泭 Youre joking! Not another one!

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 So, lets have a little look back as to how many disability ministers there have been in the last seven years when Theresa May was Prime Minister. Go for it, love:

EMMA-泭泭泭泭泭泭泭泭泭泭 Weve just waved goodbye to Tom Pursglove from August 2022 to just about last week some time. Then weve got Claire Coutinho for a couple of weeks.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 We never met her.

EMMA-泭泭泭泭泭泭泭泭泭泭 Chloe Smith from 2021 to 2022. Justin Tomlinson from 2019 to 2021.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Twice. Two separate occasions he was disability minister.

EMMA-泭泭泭泭泭泭泭泭泭泭 Sarah Newton, 2017 to 2019. And Penny Mordaunt, 2016 to 2017. Sophie Morgan has posted on this, has she?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, she posted a story. And I thought she kind of summed up the frustrations that when you have to deal with ministers a lot, trying to push for change. So, she has been talking and meeting with Tom and the team quite a lot recently, and she said, I felt like I was making headway and now hes gone who do we pick up with?

EMMA-泭泭泭泭泭泭泭泭泭泭 Yeah, youve got to go right back to the beginning.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 All that momentum completely lost. And I think that is the frustration from disabled people and campaigners that have to write, they have to speak to these departments; when theres a roundabout of ministers its kind of difficult for them to have the consistency that they need to push forward the important points that impact disabled people.

EMMA-泭泭泭泭泭泭泭泭泭泭 Well, the DWP say that they havent filled the position yet, so well keep you updated.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Okay. No news so far.

MUSIC-泭泭泭泭泭泭泭泭泭泭 Theme music.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Its Access All, the 91腦瞳扦s disability and mental health podcast. Im Nikki Fox, and as always Im in London.

EMMA-泭泭泭泭泭泭泭泭泭泭 And Im Emma Tracey and Im in Edinburgh.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 So, Em, when it comes to looking good which you always do by the way, always, always but looking good and accessibility, you know, being able to move around and wear stuff thats kind of hassle free, what are your top tips? I know youre going to give me the lowdown later so dont answer that question now.

EMMA-泭泭泭泭泭泭泭泭泭泭 Okay [laughs]. Plus weve got Raymond Antrobus, international award-winning poet joining us in a bit. As well as catching us all up on his news hell be performing a poem for us. We did do this interview a few weeks ago, and the poem is about bedtime stories with his father when he was a deaf child. I can tell you its absolutely fantastic.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Oh, it really is. Its such a treat, so do stay tuned for that. And coming up in a second well be communicating with some far-flung islands in the Pacific Ocean. I love this. But serious point, were hearing directly from disabled people experiencing the effects of climate change. A very interesting subject that one.

EMMA-泭泭泭泭泭泭泭泭泭泭 There is a transcript of this podcast every single week. Follow us on X and we will post a link every time. Were @91腦瞳扦AccessAll. And you can also hear us by saying, Alexa ask 91腦瞳扦 Sounds for Access All.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 COP28, the annual UN summit where the world gets together to try and solve the climate crisis, well its just coming to an end. It said that disabled people are some of the worst affected groups when it comes to climate change. Here in the UK, so far at least, weve been relatively cushioned from the growing environmental changes that are happening.

EMMA-泭泭泭泭泭泭泭泭泭泭 Now, COP this year has been in Dubai and was billed as the most inclusive COP so far. Earlier I spoke to Gordon Ratray from The European Disability Forum who was there. And hes a wheelchair user, so the obvious question for Gordon was if that included disabled people too.

GORDON-泭泭泭泭泭泭 There hasnt been a great difference in accessibility at COP28 compared with previous COPs in my experience; especially when it comes to access to information. For example, things like sign interpretation, captioning, information presented or provided in advance in easy to read or plain language format just doesnt exist. The electronic information available is also quite limited. Thats talking about the information regarding negotiations and a possibility to input to the documents and the discussions going into the final outcome documents. Getting around, the place is huge, and there are some provisions, there are some accessibility buggies which are there to help people get around, but for some people who use wheelchairs who need some support its still challenging.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 The bar is still quite low regarding the most accessible and inclusive COP ever.

EMMA-泭泭泭泭泭泭泭泭泭泭 And in terms of disabled people being given an opportunity, do they have more of a chance to speak now?

GORDON-泭泭泭泭泭泭 It is getting better, but even when you go to events that are around human rights you see that disability isnt mentioned by the presenters. So, Im talking here about so-called mainstream events.

EMMA-泭泭泭泭泭泭泭泭泭泭 And Id imagine the activists are kind of getting better and better at raising their hands and knowing how to get their voices heard?

GORDON-泭泭泭泭泭泭 Thats for sure. This is definitely the COP which has had the most representation of disabled people that I have seen. We have daily meetings for what we call the disability group, and every day there have been more people attending those meetings. Weve been meeting more people with disabilities, more disabled people here that werent aware that we are active as a group. Weve got people from Latin America, people from Africa, people from Asia, people from Europe; the strength of the movement is improving.

EMMA-泭泭泭泭泭泭泭泭泭泭 That was Gordon Ratray from The European Disability Forum speaking from COP in Dubai.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Now, on the line weve got two disabled people who live in the more affected areas of the world. In the Pacific island of Samoa we have got Ari. Hello Ari, how are you?

ARI-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Hello, Im Ari, Im very well thank you.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Thank you so much for joining us. And in the Solomon Islands weve got Melvina on the line. Hello Melvina.

MELVINA-泭泭泭泭泭 Hello. Good evening from Solomon Islands everyone.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Oh, its so lovely to have you on. We know weve got a bit of a dodgy internet connection. We should just get stuck into the main topic, which is the environment. And Im going to start first of all, Melvina, I dont think youll mind me saying youve got mobility difficulties and that causes you problems in the heat. So, could you tell me a little bit about that?

MELVINA-泭泭泭泭泭 Yeah, actually the heat here is not normal compared to before when I was little and up to this time, its like it really increased. And we cannot work under the sun for a very long time because its really hot. We can get headache or fever or even sunburn. My movement is so slow, and so when working in the sun or trying to do activities in the hot sun, yeah, its really affecting.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 And the sea levels are rising, arent they? And that can contaminate the fresh water in the wells. And I just wondered what solution your government has come up with. Am I right in thinking there are also access difficulties with getting water as well?

MELVINA-泭泭泭泭泭 [Line breaks up]

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Were having quite bad technical difficulties, Melvina, but I think what you were saying, and I know what youve been saying to us beforehand, is that the water tanks arent particularly accessible because the taps are too high for many wheelchair users. Which would be really difficult because obviously youre a lot lower down when youre in a wheelchair, and if you cant reach them you cant reach them. I think thats quite a big problem for you.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 And Im just going to bring in here Jodie Santos whos been waiting very patiently on the line. Were going to come to Ari as well, so stay there, Ari. But Jodie works for, well you head up The Disability Justice Project, dont you? And you gave smartphones so that people could document whats going on, well disabled people could document whats going on when it comes to climate related issues. And Jodie, youre quite familiar with Melvina, arent you, and a few of the issues that she faces where she is?

JODIE-泭泭泭泭泭泭泭泭泭泭泭泭 Yes, thats correct. So, Im the executive director of The Disability Justice Project, and we train disabled human rights defenders in the global south in documentary storytelling. And this summer we went to the Pacific Islands and we trained five fellows, and Ari and Melvina were among those fellows. The way that we trained them how to make documentaries is with the iPhone, which is more accessible, particularly for blind and low vision users.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 I know Melvina was also telling us before and Im sorry Im having to talk for you here, Melvina; its just because of a dodgy line because you are so far away but you were talking about how people grow food on the land because the markets are often too expensive, but its getting harder because when flooded the water heats up and the vegetables get cooked in the ground; which is an extraordinary thought. I hadnt even thought about that. Were you aware of that, Jodie?

JODIE-泭泭泭泭泭泭泭泭泭泭泭泭 I wasnt aware of that. I do know that obviously climate change is affecting the growing season so its taking longer to grow vegetables. For a lot of people with disabilities in the Pacific Islands access to formal employment is harder, and so a lot of them do rely on sustainable livelihoods, including gardening and fishing. And those have been severely impacted by climate change, which is affecting food security, water security, some of those issues that Melvina touched on.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah. And Melvina when she was with us she was also talking about the rising heat and the rising temperature. And Ari, we were talking about that before we started recording, werent we, and you were saying its getting a lot hotter where you are?

ARI-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yes. Here in Samoa the highest degrees that we go up to is 31. However, we have 31 degrees almost throughout the year now and its quite hot. Imagine having 31 degrees; we dont even have seasons like winter or summer or spring. So, imagine living with that heat for most of the time.

EMMA-泭泭泭泭泭泭泭泭泭泭 Ari, Im told that in Samoa youre working on making emergency information more accessible, and youve been quite a big part of that, havent you?

ARI-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yes. This particular project was done in collaboration with our Ministry of the Environment and Natural Resources, where they provided booklets that had info for preparedness and post-disaster preparedness and response. Disasters like floods, earthquakes, fires, landslides, you name it. So, at the Samoa Blind Persons Association we were tasked to produce 200 copies into braille.

EMMA-泭泭泭泭泭泭泭泭泭泭 Amazing.

ARI-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 And its something that we are very proud of.

EMMA-泭泭泭泭泭泭泭泭泭泭 Sign language, thats also become available in Samoa too?

ARI-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Sign language of course we have started to produce, say for example, disaster preparedness adverts on TV. However, this is inconsistent and needs to be followed up and improved upon. And perhaps a government budgetary allocation would help with that because most of these projects are funded by aid overseas, but since Samoa has ratified the UN CRPD in 2016 its now about time for our government to take ownership. The floods came at a time when they were not expecting it, because our flood period usually starts in what we call the cyclone period usually starts from November to April. However, the floods occurred in the middle of June. And this wheelchair user in particular was quite terrified and shocked that the flooding came and affected his village on one of the big islands called Savai妡i. His furniture was ruined.

EMMA-泭泭泭泭泭泭泭泭泭泭 So, he wasnt prepared?

ARI-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yes, he wasnt prepared. And thats the thing, the weather patterns have changed. So, this must be due to the greenhouse effect or whatever decisions that big countries make, and then this has an adverse impact on us.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Hey Jodie, Ive just been told in my ear that youve got a story about someone using mattresses for safety. Is that right?

JODIE-泭泭泭泭泭泭泭泭泭泭泭泭 Yes. So, one of the places that we visited over the summer was Fiji, and we went to whats called an informal settlement. Which means that people basically live there not legally, so they build their houses, they dont own the land. And again, a high percentage of persons with disabilities. So, one of the places that we visited we talked to the woman whos the disability liaison, and she was basically talking about how many evacuation centres in Fiji arent accessible, and so people would rather stay at home and take the risks that come with that than go to one of these evacuation centres. So, in the settlement where she lives what families would do, particularly for wheelchair users, is they would stack mattresses as high as they could and they would put the family member on top of the mattress and then they would climb up, and they would wait out the flooding until it was over. And this woman was saying that when youre around standing water for a long period of time it can lead to an increase in diseases. But again, these families would rather do that than endure the indignities associated with inaccessible evacuation centres.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 So, youve heard of all of these stories, and Ive just heard more now from Ari and Melvina, and it makes me think is there enough emphasis put on disability when were talking about climate change. Where do we fit in that conversation? What needs to be done? Because it doesnt seem like theres a great deal of anything going on.

JODIE-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, I think thats true. So, by international law countries are obligated to include and consider persons with disabilities in their climate response plans. But there was a study, I think it was in 2022, that of the 192 parties to the Paris Accord for instance, only 35 had actually mentioned persons with disabilities in their climate pledges. Its one of the most affected populations and the governments are not including them, both in the planning process, having a seat at the table, and also in their response plans in general.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 This wont be the last time we speak about this by any stretch. But thank you so much for that fascinating chat. Thank you to Jodie. Thank you so much Ari, from Samoa, and also Melvina from the Solomon Islands. Thank you for joining us.

JINGLE-泭泭泭泭泭泭泭泭泭 Access All.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Well, Ems, you know how were getting closer to Christmas and New Year?

EMMA-泭泭泭泭泭泭泭泭泭泭 Uh-huh.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 And lots of have got more social events in the calendar, havent we?

EMMA-泭泭泭泭泭泭泭泭泭泭 Some of us do [laughs].

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Im dreading it all to be honest. Ive literally taken so many out, Ems. But I have got one quite important one and Im already thinking, well I have been thinking for the last month, what am I going to wear. I cant find anything, Ems. Ive lost my style.

EMMA-泭泭泭泭泭泭泭泭泭泭 Because honestly theres times when you do look in your wardrobe, or feel in your wardrobe if youre going to be really specific about it because Im blind, you know.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 No way!

EMMA-泭泭泭泭泭泭泭泭泭泭 Yes, yes I am.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Im sorry, what?

EMMA-泭泭泭泭泭泭泭泭泭泭 [Laughter] I am so sorry for keeping this from you. But you do, you just try on all your stuff and nothing feels right at all, does it?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah. And there can be added problems, cant there, of clothes not fitting as well youd like them to, like if youre me you sit on your tush all day. Jeans are often quite uncomfortable and a bit bulgy in the places that you dont want them to bulge, you know.

EMMA-泭泭泭泭泭泭泭泭泭泭 Were going to talk about jeans in a minute.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Are we?

EMMA-泭泭泭泭泭泭泭泭泭泭 We are. But remember Betty? Betty worked with us for a little while; she wasnt on air but she was behind the scenes beavering away.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yes.

EMMA-泭泭泭泭泭泭泭泭泭泭 And she got really interested in disability fashion and fashion hacks, so how you can take the clothes that dont fit that well and get them to suit you or find another way around it. And she was really interested about it because she cant feel her legs so well, and she forgets to keep them warm and then they get really, really cold and numb. So, she adds big furry legwarmers to her look. And shes a very young, cool person so she can obviously pull it off.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Hey listen, Im all for the legwarmers; my boyfriends got me into them. We call them the fluffies and theyre amazing; they go over the knees. Ive actually got a work wear version on now.

EMMA-泭泭泭泭泭泭泭泭泭泭 Oh, youve got legwarmers on right now?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭 What do they feel like?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Just lovely and fluffy and warm.

EMMA-泭泭泭泭泭泭泭泭泭泭 Okay. Is it like a scarf for your legs? Like a snood for your legs?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah. Ive got the ones with the feet, but you can have them with the cutouts so theyre just literally legwarmers.

EMMA-泭泭泭泭泭泭泭泭泭泭 Are they not just socks then?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 No. Well, theyre over the knee socks, an over the knee sock version. But I have got the legwarmer versions as well. When I keep my legs warm they dont ache as much. Yeah, the grandma likes the legwarmers.

EMMA-泭泭泭泭泭泭泭泭泭泭 Thats really good. And its not just grandma. What else do you do? What other fashion workarounds do you put in place then?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Well, I buy everything, if I can, in a tall version, which is hilarious because I am not much more than 5ft.

EMMA-泭泭泭泭泭泭泭泭泭泭 So, why do you buy tall?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Ive told you this before, its very boring, but I wear big biker boots and then underneath those biker boots I have to wear very big, bulbous splints.

EMMA-泭泭泭泭泭泭泭泭泭泭 Right.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 I love the biker boots, but the splints kind of misshape the boots quite a lot, so it makes them look a little尖ou know. When youre wearing a glam dress and youve got these hoofers on your feet and a pair of legwarmers its a very difficult look to pull off.

EMMA-泭泭泭泭泭泭泭泭泭泭 To pull off [laughter].

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 So, I tend to wear dresses that completely cover. So, literally will cover, theyll go right over the toes of my boots. And then it just looks like a seamless line. Do you know what I mean?

EMMA-泭泭泭泭泭泭泭泭泭泭 Well, its good that you dont have to walk in them then, isnt it?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Why?

EMMA-泭泭泭泭泭泭泭泭泭泭 Because theyre over the toe of your boots so youd stand on it, wouldnt you?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Oh I see what youre saying, Ems. I do apologise. Well, no, I do walk actually in them; I just have to hoik it up.

EMMA-泭泭泭泭泭泭泭泭泭泭 And you always talk about stretch as well.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Always. Always a minimum 2% to 3% elastane in anything I buy. And Ive tried it without. I saw a lovely silk dress the other day and I was like, thatll be perfect for the One Show, theyll really like that. Had no stretch in it and I was like, why did I do it, I should have known, because it just all pulls in the wrong place. Ive got a little bit, Ive got something that resembles a waist, but theres something there. Whereas if youve got no stretch it kind of just hangs in all the wrong places and it just makes you look a bit boxy. And also not very comfortable, and also rises up quite high so it doesnt cover your boots. If youve got the stretch then it follows the shape of your body and goes over your feet. This is what Ive learnt over time. So, I online shop all the time; I never, ever go to

EMMA-泭泭泭泭泭泭泭泭泭泭 And you look at the ingredients?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, and I look at the ingredients. Im like, theyll do me.

EMMA-泭泭泭泭泭泭泭泭泭泭 Because elastane makes it stretch basically.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah. What do you do, Em?

EMMA-泭泭泭泭泭泭泭泭泭泭 Well, its very much about being comfortable. So, if I have a piece of clothing on and Im not quite sure how it sits and youve seen me during the podcast sometimes if I have a wrap top that Im not sure about, or a top that goes down a bit low or has a bit of a funny shoulder thing going on because I cant see myself Im never actually quite sure whether I have it right or not. And even if Ive had it right before maybe I wont remember what way to pop the shoulder. So, Im very keen on having something very straightforward and comfortable; which sounds pretty boring.

I also wear a crossbody bag so I can have my hands free, with lots of pockets, because its very hard to find a bin when you cant see so its usually full of rubbish. But also you want to have everything on you so you dont have to go and find it or ask someone for it, or get it out of a machine if its a tampon or something like that. And also Ive come to wearing comfortable shoes, because I know Im getting older, Im in my 40s now, and that is a thing. And also high heels arent as important as they were years ago. But honestly, I need to be able to walk.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭 Especially if Im being guided by someone I dont know as well, or Im in a new place, I have to be really honest with myself and say look, I just need to be able to get from A to B without piling more attention on myself.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 These are the things we have to think about was we get older, isnt it, just decisions.

EMMA-泭泭泭泭泭泭泭泭泭泭 Theyre decisions based on comfort and safety.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 So, the lovely Betty, who you mentioned, who worked with us, she searched social media for other fashion hacks. And one innovative wheelchair user apparently tapes coins to the inside of the bottom of her dress to stop it from lifting up in the wind. Genius that!

EMMA-泭泭泭泭泭泭泭泭泭泭 Yeah. I think we could all do that actually.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Also YouTuber Gem Hubbard she has got a bit of a clever workaround. Have a listen to this, Emma Tracey:

GEM-泭泭泭泭泭泭泭泭泭泭泭泭泭泭 My biggest tip for wheelchair users would be to choose maternity jeans or maternity trousers. This is because they are so much more affordable than adaptive trousers, but theyre really comfortable around the waist. Also when youre moving about, like transferring in and out of your wheelchair, they dont ride down, showing anyone a flash of anything they shouldnt see.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Shes so right.

EMMA-泭泭泭泭泭泭泭泭泭泭 You were really agreeing with that.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, 100%. I used to wear jeans all the time, Ems. And you know when I sit on the scooter, Ive got a little window on the back where you can see my bum-bum.

EMMA-泭泭泭泭泭泭泭泭泭泭 Why?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Ive no idea. I mean, you cant see anything if youre dressed properly, but for years I used to go round with my jeans, and I used to wear thongs, and every time I sat down the jeans slid right down.

EMMA-泭泭泭泭泭泭泭泭泭泭 [laughs]

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 So, I completely, Gems right, maternity all the way.

EMMA-泭泭泭泭泭泭泭泭泭泭 Thats very Bridget Jones, isnt it?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 For many reasons [laughs].

EMMA-泭泭泭泭泭泭泭泭泭泭 Sticking with trousers, apparently get big loops sewn into either side of your trousers, so if you have trouble pulling them up and down they give you a bit more purchase and you can just yank them up and down. Would that be useful?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yes. Jean loops are my best friend. For years when I used to walk thats how I used to walk, I used to hook my thumbs in my jean loops around the waist.

EMMA-泭泭泭泭泭泭泭泭泭泭 Right. So, the bigger the loops the better?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 The bigger the loops the better. We also had video creator, Blind Tobes, sent us this:

TOBES-泭泭泭泭泭泭泭泭泭泭 Okay, so a couple of fashion hacks that I have as a blind man. Number one is when Ive got two items of clothes that feel exactly the same, it might be two t-shirts from the same brand but they might be in different colours, Ill put something called a bump-on on a hanger so that I can feel which hanger has, say, the white t-shirt and the hanger without the bump-on is the black t-shirt. And Ill keep that the same throughout the whole time that theyre in my wardrobe.

泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 And then the second hack is meticulously organising things. So, my wardrobe will always go in order of t-shirts, jumpers, jackets, coats, just so that I dont have to waste time feeling around the whole wardrobe to find what I need; I can jump straight to what I want.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, Tobes, amazing.

EMMA-泭泭泭泭泭泭泭泭泭泭 Thats the dream.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Are you as organised as Tobes?

EMMA-泭泭泭泭泭泭泭泭泭泭 No I am not. And the only way I would ever be is if I had literally a wardrobe cleaner who came in every week and arranged my wardrobes, because that is never going to happen for me. I just shove things in. Im always in a hurry. I pull things out, throw them on the bed. I just am not capable I think.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 But you have got a lot going on though. Youve got kiddywinks and all that, and a husband and a career.

EMMA-泭泭泭泭泭泭泭泭泭泭 Before I had any of that going on

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Oh okay, youre just not.

EMMA-泭泭泭泭泭泭泭泭泭泭 匈 had a floordrobe.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 [Laughs]

EMMA-泭泭泭泭泭泭泭泭泭泭 Brilliant ideas, Blind Tobes, but unfortunately Im just not going to be able to achieve them.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 We love hearing all of these so please do carry on getting in touch with us. You can email us accessall@bbc.co.uk, or were @91腦瞳扦AccessAll on the socials.

JINGLE-泭泭泭泭泭泭泭泭泭 Access All with Nikki Fox.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Our next guest, Raymond Antrobus, is a hugely successful poet and writer who was named Sunday Times Young Writer of the Year in 2019, and hes also won the Ted Hughes Award. Now, some of his poems have even been included in the GCSE syllabus, which must be so unbelievably cool. Raymond, it is so lovely to meet you.

RAYMOND-泭泭泭 Thank you for having me.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 To top it all off, Raymond, who is deaf, published his debut childrens book, Can Bears Ski? its such a good title in 2020, which has now been turned into a theatre production. Raymond, you have got so much going on.

RAYMOND-泭泭泭 I do.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 When he came into泭 the studio, Emma, I was like, Are you tired? [Laughter] How is the theatre show going?

RAYMOND-泭泭泭 Its been very emotional to see even from afar. I havent actually seen the play in person yet. My aim is to take my son, whos two and a half, to go and see it. I want to see how he responds to it, because the book Can Bears Ski? is on his bookshelf, and every now and again he gets it down. He has no idea that Ive written it, so its always such a proud moment for me when he picks it. He picks his own books.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Oh amazing.

RAYMOND-泭泭泭 Oh, youre picking Can Bears Ski? Okay. I want to reveal to him almost when we go to see the theatre, its daddys book, you know [laughs].

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Well, tell us about the book and how it all came about.

RAYMOND-泭泭泭 Id written a poem called Happy Birthday Moon, which was based on a childrens picture book that my dad used to read to me. Its one of my earliest memories being read this story about this bear that lives out in the woods, and its this bears birthday and he looks up at the moon at night and says, its my birthday. And the bears voice echoes through the valley, and as he hears the echo he thinks that its the moon speaking to him. I just loved that book as a child, and I loved the way that my dad read it and performed it me as well. He kind of put me on his chest and had the book out in front of him. And he didnt know that I was deaf at the time. So, my dad had a very kind of deep voice, I could feel the vibration of the story. I read that poem at the Bradford Literature Festival and in the audience were some people who work in childrens publishing and they said, We really love your work. Have you ever considered writing for children? And I said, No, I dont think thats my forte. So, I at first declined writing for children.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 That was a brave thing.

RAYMOND-泭泭泭 I just didnt feel like it really aligned. But then the following week I happened to be starting a residency in a deaf school, and I went into their library and I didnt see any books with deaf protagonists. And Im not saying there arent any; Im saying in this particular library

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 You didnt see any.

RAYMOND-泭泭泭 匈 didnt see any. And it just kind of made me think heres a place on a shelf I would love to be. So, I actually emailed, got back to the childrens publishers, her names Maria and she was like, Great come on board and I wrote the story.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Hi Maria, yeah its Raymond, Ive changed my mind.

RAYMOND-泭泭泭 [Laughs]

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 You know the title, Can Bears Ski? your dad didnt know you were deaf.

RAYMOND-泭泭泭 No.泭泭泭

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 You didnt know you were deaf.

RAYMOND-泭泭泭 No.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 And so whats that got to do with the title? Has that got anything to do with the title?

RAYMOND-泭泭泭 So, Can Bears Ski? theres a reveal, theres a reason for the title. And the reveal is吆laughs] I dont know if I want to reveal.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 [Laughs] oh, hes playing it coy.

RAYMOND-泭泭泭 Theres a world, and I do this with poetry as well, theres a world in which Im trying to create a kind of deaf logic and Im trying to honour that experience so that it doesnt become this thing thats like youre living in a wrong way or youre living in a mistake. Can Bears Ski? [laughs] also visually offers a lot.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yes, it offers a lot.

EMMA-泭泭泭泭泭泭泭泭泭泭 But in terms of someone whos not visual reading the book its very emotive and its very illustrative of the life of a deaf kid who doesnt know hes deaf, the vibrations that he recognises. Does that relate to your own time as a deaf small child?

RAYMOND-泭泭泭 I hope so. I think the book ultimately and me as a child ultimately, and many of us, were looking for ways to be understood. That is the main atmosphere that Im trying to convey. So, the deafness and the condition of deafness is almost coincidental. Because I get so many emails and messages through Instagram about this book, from a range of people with different disabilities and conditions and ways of being. And I also get a lot of messages from grandparents.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Oh okay.

RAYMOND-泭泭泭 So, some of them who are recently deafened, and they say that the book has helped them communicate with their grandchild about their own deafness. Its great.

EMMA-泭泭泭泭泭泭泭泭泭泭 Thats interesting because there are a lot of older deaf people who are newly deaf who are very misunderstood, arent they?

RAYMOND-泭泭泭 Yes.

EMMA-泭泭泭泭泭泭泭泭泭泭 People start to think that theyre maybe less able or that the memory is starting to go or something like that.

RAYMOND-泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭 Thats really misunderstood. Is that something that youve seen?

RAYMOND-泭泭泭 It is. Its that whole thing of like its not us who are disabled; its society itself that disables us.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah.

RAYMOND-泭泭泭 And this kind of idea that there is one way to be, youre either abled or disabled, and it is kind of that that binary is false.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 What was it like when you did get a diagnosis?

RAYMOND-泭泭泭 I was six when I was first told; I was seven when I got all the equipment, all the therapy. And in some ways I feel like Im living with survivors guilt, because the kind of support I got, I got two top of the range hearing aids; radio mics; I got speech therapy; I got even a hearing therapy where I learnt about sound and how it moves, like having your own personal sound physicist; I went to a deaf school, that was also part of a mainstream school. Ive had support that 99.9% of deaf people now do not get.泭

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 But Raymond, you cant feel guilty about that. You were just lucky like that.

RAYMOND-泭泭泭 Yeah.

EMMA-泭泭泭泭泭泭泭泭泭泭 How did you manage to get that result? Was your mum a big part of you getting that support?

RAYMOND-泭泭泭 Yes. There are three people specifically who championed me: my mother is one of them; and the other two are teachers of the deaf, Penny and Renata, who kind of took me on and made sure that I got support while I was in Hackney, and then when I went to a school in Islington.

EMMA-泭泭泭泭泭泭泭泭泭泭 And look what happened when you were able to reach your potential: you became a world famous poet. Id love to know how has being deaf shaped your poetry? Because Nikki and I were just talking before you came along saying, oh we find so much poetry so inaccessible; whereas yours is just wonderful, brilliant, easy to catch.

RAYMOND-泭泭泭 I appreciate that, because that has also been a criticism of my poetry that its too accessible.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Why?

RAYMOND-泭泭泭 Well, theres an idea that poetry ought to be coded. But this is something that I really have honed and curated in terms of my style, I think, as a poet, in the sense that I have gone through most of my life struggling to be understood, and so clarity is really important to me. I want to be in conversation with people who are open and curious and can relate in those ways.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 You can do this even more now, because we mentioned this in the introduction, didnt we, that some of your work has been included in the GCSE syllabus. Which I was saying to Emma as well, that youve got to be like, oh job done, I can retire with a pina colada now, happy days.

RAYMOND-泭泭泭 [Laughs] not quite.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 No?

RAYMOND-泭泭泭 It doesnt really pay. But it is an honour, it is a privilege, and it is honestly something that I never dreamed of happening [laughs]. Its funny.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Amazing.

RAYMOND-泭泭泭 It makes me laugh.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 And weve spoken about your work so much now, and Im sure there are listeners that have heard and absolutely love you, but for those that havent do you want to read a little bit for us?

RAYMOND-泭泭泭 Sure.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 That would be wonderful.

RAYMOND-泭泭泭 I think Ill read Happy Birthday Moon, which is the poem that I mentioned.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah!

RAYMOND-泭泭泭 And I should say that when I write poems titles in poems can be very difficult. So, when I wrote this first draft I wanted to ground myself in the reason I was writing a poem, so I wrote a question at the top of the page. And that question was: where does my language begin? And so I wanted the poem to answer that question. So, as I read this I would like to invite every listener into that question: where does your language begin? Who do you have to thank for that language?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Nice.

RAYMOND-泭泭泭 And what are you doing with that language now?

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Swearing too much in my case.

RAYMOND-泭泭泭 Yeah, youve got to moderate, adjust. Okay, Happy birthday, Moon:

Dad reads aloud. I follow his finger across the page. sometimes his finger moves past words, tracing white space. He makes the Moon say something new every night to his deaf son who slurs his speech. Sometimes his finger moves past words, tracing white space. Tonight he gives the Moon my name, but I can't say it, his deaf son who slurs his speech. Dad taps the page, says, try again. Tonight he gives the Moon my name, but I can't say it. I say Rain-an Akabok. He laughs. Dad taps the page, says, try again, but I like making him laugh. I say my mistake again. I say Rain-an Akabok. He laughs, says, Raymond you're something else. I like making him laugh. I say my mistake again. Rain-an Akabok. What else will help us? He says, Raymond you're something else. I'd like to be the Moon, the bear, even the rain. Rain-an Akabok, what else will help us hear each other, really hear each other? I'd like to be the Moon, the bear, even the rain. Dad makes the Moon say something new every night and we hear each other, really hear each other. As Dad reads aloud, I follow his finger across the page.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Oh, I just love that. I really love that.

RAYMOND-泭泭泭 Thank you.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Im not a huge poetry consumer.

RAYMOND-泭泭泭 Thank you so much.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Your parents must be so proud?

RAYMOND-泭泭泭 My mum is an English woman so she compliments me in the way that English people do: its always a very backhanded way. Its like, Well done, now what else are you going to do? Its like theres always something else [laughter].

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Keep moving forward.

RAYMOND-泭泭泭 Yeah [laughs].

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Honestly, thank you so much for coming in, Raymond, today. Its been an absolute pleasure. Can Bears Ski? has been adapted for the stage by Definitely Theatre and the Pied Piper Theatre Company and will be playing in theatres across the country until next February. Where can people find out more, lovely?

RAYMOND-泭泭泭 People can follow Definitely Theatre on Instagram. People can follow me on Instagram Raymond_Antrobus. I really want this to get out there so please do come along.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 I love it. Raymond, youve been an absolute treat.

RAYMOND-泭泭泭 Thank you.

EMMA-泭泭泭泭泭泭泭泭泭泭 Thank you.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 That was the wonderful Raymond Antrobus everyone. It really was something quite special sitting next to him, especially while he read that beautiful poem. It really was lovely.

Of course thinking of poetry and poets, also on the minds of so many people this week the revolutionary groundbreaking poet, Benjamin Zephaniah, who sadly died a few days ago at the age of 65. I always loved watching him on TV. I thought he was just magical actually. Like me he was also dyslexic, so I thought Id share a few words with you about his take on being dyslexic. He wrote, In many ways being dyslexic is a natural way to be. If you look at a pictorial language like Chinese you can see the word for a woman because the character looks like a woman, the word for a house looks like a house; early languages were like that. It is a strange step to go from that to a squiggle that represents a sound, which is how we read and write here.

EMMA-泭泭泭泭泭泭泭泭泭泭 Thats so beautiful.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 I know.

EMMA-泭泭泭泭泭泭泭泭泭泭 I wouldnt have known that about Chinese symbols. Its so, so interesting. Were back next week, and its the show before Christmas. And for Christmas week itself well be here with a very special episode with the best of Access All from 2023.

NIKKI-泭泭泭泭泭泭泭泭泭泭泭泭 Like, subscribe, leave us a comment, double like us if you can. I mean, how you double like I dont know, but give it a bash. Were on 91腦瞳扦 Sounds and wherever you get your podcasts. Just look for Access All. Spread the Christmas word if you can, people. And until next time, goodbye.

EMMA-泭泭泭泭泭泭泭泭泭泭 Goodbye.

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