1. Regrets
Giant mutant rats are stalking East London ��� sounds like a mission for the Blue Box Files podcast. The return of the audio drama series, set in the worlds of Doctor Who.
By Juno Dawson
Cleo Proctor is officially over it. Her life is a mess and her best friends ��� Abby and Shawna are lost in a lesbian love-in. Life sucks. She���s lonely. She wants the Doctor to take her away from all this, but they���re not returning her calls. Then Cleo discovers reports of mutant rats in London Docklands and things��� get interesting.
Cleo Proctor - Charlie Craggs
Abby McPhail - Lois Chimimba
Shawna Thompson - Holly Quin-Ankrah
Rani Chandra - Anjli Mohindra
Morag - Maggie Service
Esther - Teri Ann Bobby-Baxter
Ed - Sam Stafford
Directed by Bethany Weimers
Producer: James Goss
Executive Producer: James Robinson
Sound design by Rob Harvey
Original Composition by David Devereux
A 91腦瞳扦 Studios Production for 91腦瞳扦 Sounds
#DoctorWhoRedacted
New episodes released Mondays. If you're in the UK, listen to the full series of Doctor Who: Redacted first on 91腦瞳扦 Sounds: bbc.in/42Ge0T0
More episodes
2.1 ��� REGRETS
2.1 ��� REGRETS
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FX: 91腦瞳扦 Sounds Sting泭
ANNO泭泭泭泭泭泭泭泭泭泭 You���re about to listen to series two of Doctor Who: Redacted. New episodes will be released weekly, wherever you get your podcasts. But if you���re in the UK, you can listen to the full series right now, first, on 91腦瞳扦 Sounds.泭
Inquistive, investigative sounding bongs underneath the title reading and continuing into the first scene.泭
泭泭泭泭泭泭泭泭泭泭 ANNO泭泭泭泭泭泭泭泭 Doctor Who: Redacted. Episode One, Regrets. By Juno Dawson.泭
Scene 1.1泭
FX: Car door slams, footsteps and scuffling.
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SHAWNA泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Excuse me? CLEO泭泭泭 Mr Degsy?
ABBY泭泭泭泭泭泭泭泭泭泭 We���re in Northampton investigating claims that a meat processing plant is serving something a bit more exotic than bacon. Mr Desgy-
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SHAWNA泭泭泭泭泭 What is in your sausages? DEGSY泭泭泭泭泭泭泭泭泭 No comment.
CLEO泭泭泭泭泭泭泭泭泭泭 We���re the Blue Box Files podcast. Mr Degsy, do your sausages contain extra-terrestrial DNA?
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DEGSY泭泭泭泭泭泭泭泭 Rubbish.
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ABBY泭泭泭泭泭泭泭泭泭泭 We���ve had your products tested, Mr Degsy, and they contain genetic matter unlike anything else on earth.
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DEGSY泭泭泭泭泭泭泭泭 No comment.
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SHAWNA泭泭泭泭泭 People have a right to know! DEGSY泭泭泭泭泭泭泭 If you touch me, I���ll call the police.
ABBY泭泭泭泭泭泭泭泭泭泭 Do you turn aliens into burgers, Mr Degsy? DEGSY This is private property! Go away!
SHAWNA泭泭泭泭泭 We know the Blue Box was here last year!
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Pause. Tense.
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CLEO泭泭泭泭泭泭泭泭泭泭 Have you seen her? Have you met the Doctor?
Scene 1.2 ��� INT. CONVENTION CENTRE. DAY
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FX: There���s applause and a hub-bub of chatter at the National Podcast
Convention in Manchester. There���s a wail of feedback and the panel event gets underway.
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WILDTRACK泭泭泭泭泭 [generic excited podcast attendees]
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RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 OK then! That clip could only be from our final guests of the afternoon. I���m Rani Chandra from Rani Takes On The World and I���m very pleased to be joined by the hosts of the brilliant Blue Box Files - Abby MacPhail, Shawna Thompson and Cleo Proctor!
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FX: Applause泭
RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Abby, let���s start with you.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Can I just say I���m a huge fan? Your episode on the Panama Papers was��圭hef���s kiss.
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RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 You absolutely can. (SMILES) But let���s talk about The Blue Box Files. Introduce us to it.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Basically, it���s dedicated to uncovering the truth about an enigmatic cuboid shape which seems to appear at times of historical upheaval. Pompeii, it���s there; Titanic, it���s there. You name it, there���s sightings of a strange blue box. We even think what Scientists are calling the Redacted Virus is related. So many people suffered blackouts. Including us.
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RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Me too. Last year is a blur, to be honest. Now, Shawna, you���re the in-house sceptic, is that right?
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SHAWNA泭泭泭泭泭泭泭泭泭泭 That���s maybe a bit reductive, but OK. I���ve become less sceptical as the years have gone on, but I���m inclined to believe there is a conspiracy, it���s just not from outer space. At the moment, Abby and I are looking into this organisation called ���Torchwood���; super secretive, super shady��在ut not alien.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Well, I do think it���s alien actually. There, I said it.
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RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Oh really? What do you think this Blue Box is?
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Cleo pauses.
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RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Cleo?
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I think��匈 think, I think the blue box is our guardian angel.
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The tone on the panel changes.
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WILDTRACK泭泭泭泭泭 [quiet uncertainty] ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Cleo���
RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Let���s go with that. How do you mean?
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I think ��� like if there���s a blue box ��� it makes sense that there���s someone inside it you know. Keeping us all safe. They���re called The Doctor.
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The audience chatter increases. Rani clears her throat.
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RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Right, OK. (NERVOUS) Maybe we should move on.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 No, I���m for real. Would you believe me if I said she, or he actually, is a chic time traveller with two hearts and undiagnosed ADHD?
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RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭 [laughs] WILDTRACK泭泭泭泭泭泭泭泭泭泭泭泭 [laughter]
SHAWNA泭泭泭泭泭泭泭泭泭泭 Cleo is the comic relief, obviously.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (ANGRY) Thanks Shawna Thompson, but I also happen to know. Just because you girls don���t remember what happened last year, I do. And anyway, I���ve been researching my own case. Giant rats. In Docklands.
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Another awkward silence.
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WILDTRACK泭泭泭泭泭 [throat clearing]
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RANI泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 OK, well this is weirdly tense. Let���s move it along. So! I was listening to your episode about killer shop dummies���
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Fade out.
Scene 1.3 INT. GREENROOM.
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FX: Abby, Shawna and Cleo enjoy catering backstage. Light background chatter with low music.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m sorry I derailed the panel, OK! But it���s true! I remember the Doctor, I can���t help it. I do!
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Another awkward moment.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 OK���
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SHAWNA泭泭泭泭泭泭泭泭泭泭 Sorry Cleo. It���s just��多ard to remember stuff we don���t remember. But we believe you, we do!
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 You actually met her.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah yeah, we believe you, we do!
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Really? Because it doesn���t sound like it.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 I think Rani provoked you deliberately to make you look unhinged. She���s jealous of the competition.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I think there���s room for more than one podcast about uncanny investigators out there. I thought she was super nice.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 Not nice enough to hang around in the green room with the hoi polloi.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 But guys, I think she remembered the Doctor! Didn���t you see her face when I said their name -
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 And she did say, any time we needed a hand, to just get in touch.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 (OVER) Ooh Abz, that falafel wrap thing is stunning. Have you had a bit?
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 No no, is there any left?
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (under breath) End of discussion, I guess. SHAWNA泭泭泭 Have a bit of mine.
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FX: Falafel broken off泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 Here you go (mild effort).
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (eating) Oh my gosh, that���s divine!
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There���s a pause.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What?
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 You two are sickening, you know that?
SHAWNA泭泭泭泭泭泭泭泭泭泭 Sorry are we doing it again? I���ll put a pound in the jar.
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Sorry, sorry sorry sorry!
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m kidding, I���m kidding! It���s sweet. Young hearts, run free and all that. But, you know, Shawna maybe you could speed up the process by chewing it and spitting it directly into her mouth like a bird would.
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FX: Shawna hurls a cushion across the greenroom.泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 (effort) Shut up!
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泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I don���t know what���s happened to me. I���m sure I used to be cynical and bitter.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (sarcastic) And we all really miss that.
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FX: Abby���s text alert sounds and she taps out a reply.泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 Is your mum OK?
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Er aye ��� that���s just the new carer now. All is well.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 And now you get to have your own place. SHAWNA泭泭泭泭泭泭泭泭泭 Exactly!
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Shackin��� up! That���s fast even by lesbian standards.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Ah ah excuse me!
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Bi! Sorry! I know, don���t kill me! (PAUSE) Get a flat with a spare room. A Cleo annex I can retire to before I die alone.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 (laughs)
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Aw. You will meet someone.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Abs, the last guy I dated literally faked his own death to get out of a second date.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 Oh. Wow. Bold move.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Anyway, as if I have time to date. Between my course and this case, I have zero time.
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There���s a significant pause.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Is this the rats thing?
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yes. There was another attack yesterday ��� look.
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FX: She gives them her phone.泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 (reading) ���Third London Rat Attack ��� Family Dog Killed���. Man, that���s grim.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Watch this video���
Scene 1.4 ��� EXT. GARDEN
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FX: We hear a news report play. Little musical sting like the 91腦瞳扦 news app.
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ESTHER泭泭泭泭泭泭泭泭泭泭泭 I was on a work Zoom when suddenly Benj starts barking and barking, and that���s not like him at all. I ignored it for as long as a I could but��在ut then he stopped. I went out into the garden and that���s, that���s when I found him.
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ESTHER泭泭泭泭泭泭泭泭泭泭泭 He���d been mauled. Ripped to shreds. (TEARFUL PAUSE) I saw this long, thick tail vanish under the fence. It was a rat. I swear. I know what I saw.
Scene 1.5 ��� INT. CONVENTION CENTRE. DAY
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FX: We return to Cleo, Abby and Shawna. Cleo stops the video.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 See? So when are you coming to London? We need to get involved. If there���s trouble, it���s only a matter of time before the Doctor shows up.
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Another loaded pause.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What makes you think it���s a Blue Box File? CLEO泭 Hello? Killer rats?
SHAWNA泭泭泭泭泭泭泭泭泭泭 No offence, but London is a very ratty city.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 She described it as half-rat-half-gremlin. SHAWNA泭泭泭泭泭泭 (laughs) Sorry��在ut come on!
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I can���t believe, after everything we���ve been through, that I���m getting the Scully treatment. Rude.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Do you think maybe a part of you wants it to be the Blue Box?
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There���s a pause.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 No. Maybe. (Pause) Yeah. I guess. It���s different for you guys. You don���t remember everything that happened last year but I do. I��匈 miss her.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 Miss who?
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Another pause.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Doesn���t matter. FX: Cleo gets an alert on her phone.
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CLEO
Oh my god!
SHAWNA
What is it?
ABBY
Is it about the case?
CLEO
What? No! I got a message from a guy.
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Scene 1.6 ��� INT. TRAIN / EUSTON STATION. NIGHT
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FX: Train door bings open onto bustling Euston station ��� passengers and wheelie luggage.
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TRAIN VOICE泭泭泭 Welcome to London Euston. This is our final destination. Please take all your belongings when you leave the train.
Scene 1.7 INT. BAR. NIGHT
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FX: Crowded noisy bar. Music. Glasses. Voices. Laughter. Ed sets two wine glasses down on a table.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Thanks for this. I needed a drink. Cheers. I���m so glad you messaged.
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ED泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Cheers.
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FX: They clink.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 So, Ed. Ed Hinge. Tell me about yourself. What do you do? ED泭泭泭泭泭泭泭泭 Um, yeah. So like I said, I���m in IT.
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 My friend Shawna is too. No idea what that means, I just nod along.
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ED泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, it���s pretty dull to tell you the���
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He drifts off, looking around.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Are you OK?
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ED泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, yeah. I���m fine. So what about you? What do you do?
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Well I do a couple of shifts as an usher, but I���m actually at theatre school. I���m an actress���
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ED泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What, sorry?
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 An actress. (Beat) Are you sure you���re OK? You���re acting like you got MI5 watching you or something? You being followed?
ED泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 No! No, it���s just that I, um, I���ve never actually, you know��� CLEO泭泭泭泭 (deflating) Oh I get it. Don���t wanna be seen in public with a
trans woman.
ED泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 It���s not that! I just, like, you know I���m straight and this is a big deal for me���
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 You know what, Ed, I can make this so easy for us both. (she downs her pinot in one gulp)
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FX: Cleo puts the wine glass down, pushes back stool, stands.CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Boy, bye.
Scene 1.8 INT. TRAIN CARRIAGE. NIGHT
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FX: Train atmos
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TRAIN VOICE泭泭泭 The next station stop will be Carlisle. Please take all your belongings with you when you leave.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 Is there another gin in a tin? ABBY泭泭泭 Aye.
FX: She hands her a tin.泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Do you think we ought to, you know, tone it down a bit around Cleo? I don���t want her to feel like a third wheel.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 She said she was fine. (Beat) It���s not our fault that love radiates from us, is it?
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Ha! Yes, that���s cute, but I don���t want her to get radiation sickness.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 That���d explain the rat hunt.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Don���t. I feel bad, I do, but it���s just not a Blue Box File. There���s no evidence linking it to us. We���re better off focusing on Torchwood. I think it���s got legs.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 So what do we know so far?
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m so glad you asked, Ms Thompson.
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FX: She taps away on a laptop.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 Oh god. There���s a doc on the shared drive.
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ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Of course there���s a doc on the shared drive. Look.
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Pause as Shawna reads.
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SHAWNA泭泭泭泭泭泭泭泭泭泭 OK. Torchwood. Fill me in.
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FX: Torchwood music sting!泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Okay. All through blue box cases, there���s this one word that keeps coming up time and again, and it���s not ���Doctor���. It���s Torchwood. I know because I set up an Alert.
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SHAWNA
How many of those do you have set up now?
ABBY
I keep it to a sensible hundred.
SHAWNA
Torchwood like driftwood?
ABBY
No! It���s a place. A big old house in Aberdeenshire, AND they had a break in last night. There was a local news report which then promptly vanished���
SHAWNA
Shady.
ABBY
Might be really interesting to check it out, don���t you think?
SHAWNA
Oh, Abby, no���
ABBY
You���ve got the day off tomorrow!
SHAWNA
插莉莽���
ABBY
It���s only a three-hour drive!
SHAWNA
Only?! (Beat) It���s a good job I love you isn���t it?
Scene 1.9 ��� INT. CLEO FLAT. NIGHT
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FX: We hear keys and the door close as Cleo arrives home. Quiet London streets beyond.
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CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Hi honey, I���m home! (Beat) Oh I forgot; I live by myself. Alexa!
Play depressing music.
泭
FX: Some mournful music begins and Cleo flops down on the sofa and kicks her shoes off. After a moment, she picks up her phone and begins a voicenote.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Hi Doctor. Me again. I know you gave me this number For Redacted Virus Emergencies Only but I���ve tried everything else and I���m getting worried ��� are you okay? Anyway. Just got back from a first date. You don���t need to buy a hat, look at it that way. (SIGHS)
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Jordan and Floater are still off finding themselves in Bali so I���ve got the flat to myself for another month. It���s nice. Bit quiet. It���s weird. (Beat) I have a big day at college tomorrow.
Audition for our end-of-year showcase. Gotta do a Shakespeare monologue. Have you met Shakespeare? What was he like? Bet he was well clever. Did he have a mullet? (ANOTHER LONG SIGH)
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Anyway. Let me know if you���re getting these little messages in bottles. You gotta get here. Giant rats! Giant mutant rats! If Abby and Shawna don���t believe me, I need your help.
Scene 1.10 ��� INT. THEATRE. DAY
泭
FX: Echoing space. Theatre ambience.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (taking this seriously) ���But man, proud man, dressed in a little brief authority, most ignorant of what he's most assured, his glassy essence, like an angry ape - ���
泭
OLIVIA泭泭泭泭泭泭泭泭泭泭泭泭泭泭 That���s great. Can I stop you there, Cleo?
泭
FX: There���s some polite applause from her classmates.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Can I finish the monologue?
泭
OLIVIA泭泭泭泭泭泭泭泭泭泭泭泭泭泭 It���s OK, I���ve heard enough. That was good. Really good.
Um. I���m not sure I see you as Isabella myself.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 No?
泭
OLIVIA泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m, um, not sure it���s playing to your strengths. You���re so good at the lighter stuff, Cleo. Don���t worry, Shakespeare has plenty of comedy roles, we���ll find you a match for the showcase.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Thanks. (Beat) Can I ask why not Isabella? OLIVIA Isabella is a nun, for one thing.
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What?
泭
OLIVIA泭泭泭泭泭泭泭泭泭泭泭泭泭泭 She���s also the object of Angelo���s obsessive lust. She has to be sweet, perfect and virtuous.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (dejected) OK. Got it. I���ll think of something else.
Scene 1.11 EXT. LONDON PARK. DAY
泭
FX: We hear pigeons, children playing etc. Cleo is on the phone to Shawna.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Urgh I hate her. Getting strong Adult Human Female vibes if you catch my drift.
泭
SHAWNA (D)泭泭泭泭 Really? That sucks.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 She might as well have just said ���audition for King Lear or some other hairy man��� or what���s the one with the donkey on his head?
泭
SHAWNA (D)泭泭泭泭 That���s a question for my girlfriend I���m afraid. CLEO Maybe I should quit.
SHAWNA (D)泭泭泭泭 Cleo no! You worked so hard to get on the course.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I know, but what���s the point? Even if I defy the odds and graduate, I���m like a gazillion pounds in debt and then there���s no trans roles to play. Unless Caitlyn: The Musical is secretly on its way.
泭
SHAWNA (D)泭泭泭泭 (Laughs) Now that I���d see.
泭
FX: We hear some branches snap.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Ow!
泭
SHAWNA (D)泭泭泭泭 Cleo, what are you doing?
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m in the park, looking for mutant rats? SHAWNA (D) I beg your pardon?
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I attract rats all the time, how hard can it be? [beat] I���ve put down a bit of rat bait, and now I���m waiting. But a pigeon keeps eating my bait. Get lost you feathery little ���
泭
SHAWNA (D)泭泭泭泭 Cleo, are you OK?
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What? Yeah, of course I am. And maybe the Doctor will show up. I���ve been messaging her.
泭
SHAWNA (D)泭泭泭泭 Eh? What?
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 She said to keep in touch. So I did.
泭
Silence.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭 Shawna? SHAWNA (D) 泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m here.
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 You don���t believe me do you? SHAWNA (D)泭泭泭泭泭泭泭 It���s not that���
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Well when I have proof about these rats, maybe you���ll believe me then. It���s just a matter of patience. They���ll show up.
泭
SHAWNA (D)泭泭泭泭 The Doctor or the rats?
Scene 1.12 ��� INT. CAR. DAY
泭
FX: Traffic noises. We join Abby and Shawna en route to Aberdeen
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Cleo, just be careful. If you���re all alone in a park in London, it���s not rats you should be looking out for.
泭
CLEO (D)泭泭泭泭泭泭泭泭泭泭 I���m on it. I should be quiet really, I���m scaring the rats away. But enjoy scoping out wedding venues. Don���t think I don���t know what you���re up to.
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 We���re not! Right stay safe. Ok bye, bye!
泭
FX: Shawna ends the call.泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 (whines) Are we nearly there yet? I need a wee. ABBY泭泭 Just twenty minutes
SHAWNA泭泭泭泭泭泭泭泭泭泭 OK. Holdable. (Beat) She���s not letting this ���Doctor��� thing drop, is she?
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I don���t know what to say anymore.
泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 Maybe she���s right. I remember so little of what happened last year, maybe we really did meet this Doctor woman and just forgot it. You think?
泭
Abby struggles to accept Cleo���s version of events.
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Oh, I just don���t know, Shawna. Maybe all the answers are in Torchwood House.
泭
泭
Scene 1.13 ��� INT. CLEO HOME. NIGHT泭
FX: Tired, Cleo settles in on sofa and starts recording.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Hello Blue Boxers, this is Cleo Proctor ��� the solo album years.
泭(Beat) Abby and Shawna are too busy picking out shades of Farrow & Ball to join me right now.
泭
Pause.
泭
Whatever these rats are, they weren���t feeling my tin of cat food. I dread to think what people thought I was doing in that hedge, but we move. I���m going full Abby research mode. I can do this all by myself if I need to.
泭
FX: She gets out her laptop and types away.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 OK, the news story says the woman who lost her dog is called Esther Daley and it says she���s on the Isle of Dogs��安hich is unfortunate given what happened to her dog.
泭
FX: More typing.泭泭泭泭
Esther Daley, lives in London��奸et���s see. Yep, that���s her. Right then. I guess we slide into the old DMs���
Scene 1.14��� EXT. TORCHWOOD ESTATE. DAY
泭
FX: Rural nature vibes. Footsteps crunch through gravel as Abby and Shawna arrive at the estate last seen in Tooth and Claw.
SHAWNA泭泭泭泭泭泭泭泭泭泭 Oh wow. It���s so pretty. (Beat) Do they do weddings? ABBY They do! But get that idea out of your head. Torchwood
has quite the history. Queen Victoria once stayed here, you know?
泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 I did not know. Can we go inside?
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Aye. Open To The Public. This way I think.
泭
FX: They head inside.
Scene 1.15 ��� INT. TORCHWOOD HOUSE. DAY
泭
FX: Grandfather clock ticking. Fusty mansion vibes. Abby and Shawna make their way through the house.
泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 (Hushed) It���s giving haunted house. ABBY泭泭泭泭泭 I would not want to spend the night here.
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 (from afar) In case the werewolves gobble you up? SHAWNA/ ABBY (gasp)
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 Sorry to give yous a fright. Couldn���t resist. I���m Morag Stewart.
Curator.
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Werewolves?
泭
FX: MORAG descends stairs to join them in the foyer.泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 Aye that���s the story. Did you not see our episode of Most Haunted?
泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 No.
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 We���ve come about the break-in?
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 I���ve got the CCTV for you.
泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 You have?
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 I���m sorry. Are yous not the police? SHAWNA泭泭泭泭泭泭泭泭 (ABJECT HORROR) No!
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Um no.
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 Oh I see. (FROWNS) Did Archie send you from ���The Institute���?
泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 N -
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Aye. Aye he did.
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 About time! I���ve been calling and calling him! No answer! I���ve had to close the tea room. Nightmare. I���ve spent all day today trying to work out if anything was taken. So strange. A house full of priceless antiques and they tried to get into the cellars of all places.
SHAWNA泭泭泭泭泭泭泭泭泭泭 The cellar?
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 Exactly! Yous lot cleared everything out years back so I don���t know what they were looking for.
泭
SHAWNA泭泭泭泭泭泭泭泭泭泭 So there was something worth stealing in the basement? MORAG I thought you said you were from the Institute?
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Ms Stewart���
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 Och just Morag, please.
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What���s the Torchwood Institute? I���m sorry. I don���t want to lie.
We���re from a podcast investigating Torchwood.
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 (Hesitant) I wouldn���t know anything about it. SHAWNA泭泭泭 Wow, even I lie better than that.
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 I wouldn���t go asking too many questions about Torchwood if I were you. I���m just from the National Trust for Scotland. I make tea and scones, deary, I swear on my mother���s grave.
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 OK. We know this house was private until 2007. What was it before that? I heard it was some sort of an archive facility��地n archive of what exactly?
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 (PAUSE) Look. Any house this old is going to have some bloodstains under the rugs, know what I mean? (Sighs) You didn���t hear this from me, OK?
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Ok of course.
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 You need to speak to an old fella called Archie Bell. That is, if you can get hold of him. I assumed he���d sent you.
泭
ABBY泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 OK. And where���s he?
泭
MORAG泭泭泭泭泭泭泭泭泭泭泭泭 Glasgow city centre, about three hours��� drive from here. SHAWNA You have got to be kidding.
Scene 1.16 ��� INT. CLEO BEDROOM. NIGHT
泭
FX: Cleo records a voice message. Rustle of sheets.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 泭 Me again. It���s just gone 1 am and I can���t sleep.
My leg is doing that twitching thing.
泭
She pauses.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Doctor, I don���t know where to start. I keep hitting these dead ends and I know that you���re all up in space and time and whatever, but if any of you happen to be in 2023, we need your help. There���s these rats that don���t look right, and I think the Prime Minister could be a cyborg and��尖ou know what? I need you.
泭
She takes a breath.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I know! I know you told me to stay here and sort my life out, but I don���t wanna be here anymore. It���s not fair. No-one else remembers what happened but me. What am I meant to do with that knowledge? After all that, how am I supposed to go to college, and go on dates with absolute wastemen, and eat vegan sausage rolls, and bingewatch every night? There���s a whole universe to explore, and I���m stuck on these three or four streets. You could��尖ou could take me away from all this.
泭
FX ��� A crackle of weird static. A man���s garbled voice can be heard ��� very briefly. Do we hear the phrase ���Cleo Proctor?���泭
MAN/APEX泭泭泭泭泭泭泭泭 Cleo Proctor!
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Doctor? Doctor is that you?
泭
泭
FX: Cleo jabs some buttons on her phone.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭 泭 Stupid thing! Was that you? OK. Doctor, if you can hear this, tomorrow I���m going in search of the rats. London Docklands. Meet me there. Don���t let me down. C���mon. Send me a sign!
泭
FX: Cleo���s phone rings泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Doctor! Finally!
泭
ESTHER泭泭泭泭泭泭泭泭泭泭 Hello, is that Cleo Proctor? I got your message
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Doctor?!?
ESTHER泭泭泭泭泭泭泭泭泭泭 My name���s Esther. You messaged. About the giant rats.
泭
泭
Scene 1.17 EXT. ESTHER���S HOUSE. DAY泭
FX: Flight from London City overhead. Patio door slides open and Esther brings Cleo a mug of tea to the garden.
泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 Oat milk and two sugars.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Thank you. And thanks again for fitting me in. ESTHER泭 That���s OK. What did you say this was for again?
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Blue Box Files. We���re actually legit now. Half a mil listeners and everything. Turns out there���s a lot of really paranoid people out there. Can���t say I blame them.
泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 And you look into��安eird stuff?
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 The weirder the better. Oh ��� sorry, I didn���t mean. (Pause) I���m so sorry about your dog. It sounds pure horrific.
泭
Esther is understandably very sad.
泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 He was my first dog, just a puppy when I got him. Eight years. He was my best friend.Yeah. And no-one seems to care. A rat the size of a child and no-one gives two hoots.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Well I care. (Beat) Can you show me where you saw it? ESTHER泭泭泭泭泭泭泭泭泭 Sure, just at the bottom of the garden.
FX: The pair travel over the lawn and into the thicket.泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 It was just here.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 OK, and what happened after you saw it?
泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 There was just one of them. I know it sounds mad, but it was upright, on its hind legs. It was wet and pink and covered in patchy grey fur. Huge, sharp teeth, yellow eyes. Hideous.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Jesus���
泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 I only saw it for a split second and then it darted away.
泭
Cleo takes all this in.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What do you think it was?
ESTHER泭泭泭泭泭泭泭泭泭泭泭 It was a rat! Just a rat unlike anything I���ve ever seen. Its tail was like a snake.
泭
FX: Cleo pushes further into the undergrowth.泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 It ran into that hole in the fence. CLEO What���s on the other side?
ESTHER泭泭泭泭泭泭泭泭泭泭泭 A wasteland really. It���s all derelict. You know Docklands was pretty much a dump until the 1990s. It used to be a port, but was in ruins for decades. Anything could have been growing here, living in the filth.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 What, with all the bankers in Canary Wharf? Sounds about right.
泭
FX: She crouches to see if she can fit in the gap.泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 What are you doing?
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m gonna go have a look around. See what I can see. It���s what the Doctor would do.
泭
ESTHER泭泭泭泭泭泭泭泭泭泭泭 Who?
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Never mind. Listen; can I borrow this little garden fork thing?
Scene 1.18 ��� EXT. DOCKLAND. DAY
泭
FX: Cleo crawls through the fence and finds herself on a wasteland. She stumbles to her feet. She starts a voice note.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Hello this is Cleo Proctor from the Blue Box Files. OK, I���m presently on wasteland in London Docklands in search of the mutant rats terrorising the capital.
泭
FX: She pushes through shrubland.泭
I dunno if the police searched around here, but it stinks and it���s covered in junk. It���s basically a flytipping junkyard. If I was a giant rat, I���d choose this place too. There���s, like, an old boatyard or something���
泭
FX: Cleo freezes. We hear a squeaking, a scuttering of little paws before a bit of corrugated iron clatters over.泭
OK, did you hear that? I don���t think I���m alone. Something just knocked some fencing over. (Beat) Doctor, if you���re up there, I���d really like to hear that weird TARDIS noise any second now���
泭
FX: Instead, there���s a louder squeak and Cleo jumps.泭
(exclamation!) That was closer that time. I hope my phone picked that up. It���s just a rat. What���s the worst it can do?
Rabies, plague, mauling, fair point.
泭
Everything seems quiet.
泭
I���m gonna check out the boathouse and then I���m out of here.
Scene 1.19 INT. BOATHOUSE. DAY
泭
FX: We hear a banging as Cleo kicks in a boarded-up window. It clatters open.
泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Urgh! Well that reeks.
泭
FX: She slides through the narrow window on her tummy.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Hmph! Ow!
泭
FX: She struggles to her feet.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 (calls out) Hello? Anybody home?
泭
FX: There���s no reply. She starts her voicenote again.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m inside the boathouse now. It���s like a workshop or something, but totally abandoned. I don���t think anyone���s been here for years.
泭
FX: She wanders the hall. Footsteps echo. A pigeon in the rafters.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Nothing to see here. Wild goose chase. Wild rat -
泭
FX: There���s a wooden groan as the trapdoor she���s standing on breaks with a loud splintering noise. Cleo screams as she plummets through the floor and lands messily in the cellar.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Ow! Ow! (Coughing) (She recovers) Oh my god!
泭
FX: She coughs and dusts herself off. Her phone broke in the fall.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Not my phone! (She tries to turn it on) As if���.come
on���.come on. No way! That was brand new! Damn it!
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FX: She stops when she hears little feet scampering.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 OK��安hat was that?
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FX: We hear some light squeaking.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Please be a cat. I can hear you! I���m not tryin��� to hurt you yeah?
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FX: More feet, more squeaking. Then rasping, dribbling.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Oh my god��安hat the hell?
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FX: The snarling gets louder as the rats skulk out of the darkness.CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 No way��宇his can���t be real.
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FX: The squeaking, rasping intensifies.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Please stop! Stop! Stay away!
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FX: More and more rats pour into the cellar.泭
I said get back! (Effort as)
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FX: Cleo wields garden fork, scrape against concrete泭
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FX: We hear a wet smush as she stabs one with the garden fork. The rat shrieks in pain.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Just leave me alone���
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FX: The rats swarm around her. Cleo screams as they bear down on her.泭
CLEO泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 HELP ME Doctor!
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The music builds into a threatening synth and ends abruptly with a distortion. Before building into a gleefully Whovian, alien symphony of synths and electric keyboard that cuts off into piano that continues under the rest of the credits.
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END CREDITS 泭泭 Doctor Who: Redacted. Episode One, Regrets by Juno Dawson. Starring Charlie Craggs as Cleo Proctor, Lois Chimimba Abby Mcphail, Holly Quin-Ankrah Shawna Thompson, Anjli Mohindra Rani Chandra, Maggie Service Morag, Teri Ann Bobby-Baxter Esther and Sam Stafford as Ed. Directed by Bethany Weimers, Producer James Goss, Sound design by Rob Harvey, Original Composition by David Devereux. A 91腦瞳扦 Studios Production for 91腦瞳扦 Sounds.
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Podcast
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Doctor Who: Redacted
The return of the audio drama series, set in the worlds of Doctor Who.