Interview Special: Victoria Canal and Tommy Jessop
Musician Victoria Canal hits the big time, but still struggles with imposter syndrome.
Musician Victoria Canal won the Ivor Novello Rising Star award in May, and has built an army of fans since supporting Hozier on tour around the UK this summer. She tells Nikki Fox and Emma Tracey how it felt to have Coldplay���s Chris Martin praise her songwriting, why she���d love to collaborate with The 1975 and how she found her sound by adapting her technique on the guitar. Plus, Victoria gets deep about the experience of writing about her body for the first time, and how it felt as someone with a limb difference, to hear ten thousand people sing her lyrics back at her. Victoria���s UK headline tour starts in September before she sets out on the road across Europe and the US.
Actor Tommy Jessop made a big splash in the TV series EVERYONE was talking about ��� Line of Duty.
When the show wrapped however, the phone stopped ringing. So, Tommy decided if he wanted to be a lead actor in a film, he was going to have to make it happen himself. ���Tommy Goes To Hollywood��� is the new 91腦瞳扦 Two documentary which tells the story of Tommy in Tinseltown. Tommy and his big brother, Emmy-nominated documentary maker Will Jessop, tell Emma and Nikki what happened when they tried to break America. You can get Tommy���s book ���A Life Worth Living: Acting, Activism and Everything Else��� from any good bookshop.
Recorded and mixed by Dave O'Neill,
Produced by Beth Rose, Keiligh Baker and Rebecca Grisedale-Sherry.
The researcher was Efe Imoyin-Omene.
The editor is Damon Rose.
Email: accessall@bbc.co.uk and Google us for the latest transcripts. Find us on 91腦瞳扦 Sounds, smart speakers, and 5 Live early on Monday mornings.
Nikki Fox is the 91腦瞳扦's disability correspondent who can also be seen on The One Show.
Transcript
泭
17th August 2023
bbc.co.uk/accessall
Access All ��� episode 66
Presented by Nikki Fox
泭
泭
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I���m on my tod today, and I had something really exciting to tell Emma. Like, I was going to get all techy. I know she���d love it. I spent the weekend, as I do, at the bungalow with my fella. And one of his best mates, Richard, came over, as he does occasionally and spent the weekend with us. Now, Richard is the smartest guy. He works with computers; he knows everything about everything. And he brought his virtual reality headset over because I���ve never tried a bit of VR, so he was like try it, it���s brilliant. I had the controllers in my hand and he set me up on a game. It was like I was Darth Vadar and I had two light sabres in front of me. I mean, it���s unbelievable when you���ve got this headset on, you���re like woah. One light sabre was blue, one was red, and then you pick your dance track [hums music] so you get the beat, right, you���re feeling it, you���re pumping it. Bearing in mind I���ve always wanted to be a dancer so the beat just gets me, even though I was on my electric wheelchair which is broken. And you basically see these blocks coming towards you and you have to wallop the sabre. Now, I was going hell for leather, I was loving it, I was doing it to the beat. I started off I got 3,000, then I got over 4,000 points, then I got over 5,000 points, and I didn���t want to stop, I was addicted. But my arms were getting weaker and weaker.
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Now, in my head I thought I was waving my arms around like J-Lo at a Zumba class. My boyfriend happened to be taking a photo because he was so excited about me doing this, and once I���d finished, I had to retire from the game because I could no longer move my finger, let alone my arm, he showed me the video back. And I realised I was barely moving my wrist. I thought I���m walloping my arms here, there and everywhere, slicing up these bad boys coming towards me. But no, I was just sort of looking like I was moving my wrist. Honestly, it���s these little depressing moments you get with muscle conditions. Phew.
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 But anyway, that aside, I still can barely move my arms and it���s been nearly a week. So, there we go #disabledlife.
MUSIC-泭泭泭泭泭泭泭泭泭泭 Theme music.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 This is Access All, the 91腦瞳扦���s disability and mental health podcast. I���m Nikki Fox and I am in London. Now, this week we���ve got a right treat for you. We���re mixing it up a little bit, okay, we���ve got two interviews, not one but two, with some big names in the disability world. Later on in the podcast we have got Tommy Jessop from Line of Duty. Tommy and his brother Will have made a documentary which is going to be on your TV screens very soon. You���re going to hear all about that later.
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 But first we���ve got an extended interview for you that we recorded a few weeks ago. It was so good we have had to play it long. She won the prestigious Ivor Novello Rising Star award in May and has built a huge army of fans since supporting Hosier on tour around the UK this summer. Listeners, you know I love my music, I think I bang on about it enough. I sing terribly on the podcast but I listen intensely, and I love this woman. I���ve been waiting months to get her on. It���s singer/songwriter, the brilliant Victoria Canal.
MUSIC-泭泭泭泭泭泭泭泭泭泭 [Song clip Shape]
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 That was a clip of one of your songs that you���ve released recently, Shape.
VICTORIA-泭泭泭泭 Shape, indeed.
NIKKI- 泭泭泭泭泭泭泭泭泭泭 I absolutely love it.
VICTORIA-泭泭泭泭 Thank you.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I first saw you on Jools Holland, that performance when you did Swan Song.
VICTORIA-泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I was with my sister and my mum and dad and we were like, wow.
VICTORIA-泭泭泭泭 Cool!
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It���s such an amazing performance. And I was so captivated. And my sister and I went and saw you at that gig at St James��� Church which was just beautiful.
VICTORIA-泭泭泭泭 It was one of my favourite gigs ever.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 That���s where I tapped you out, wasn���t it? That little weird stalker in the scooter, ���Come on the podcast!���泭泭
VICTORIA-泭泭泭泭 [laughs]
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 But I was wondering with the Jools Holland performance was that a bit of a game changer for you?
VICTORIA-泭泭泭泭 In many ways yeah. I was in pretty amazing company with Self Esteem there and The Comet is Coming and The 1975.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I love The 1975.
VICTORIA-泭泭泭泭 Me too, they���re amazing. They were so sweet to me and have been so supportive since. Actually because of that day they put Swan Song on their pre-show playlist, so at every one of their shows it���s playing before their set, which is pretty amazing.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Amazing.
VICTORIA-泭泭泭泭 But it was a really special experience. I���ve been watching Jools Holland for years and years since I was a kid, and it felt highly nerve-wracking to just sit in basically a circle in Ally Pally facing these other artists that are so highly accomplished. And I felt really proud and excited. I had a really wonderful time, it was an amazing experience.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 You smashed it.
VICTORIA-泭泭泭泭 Thank you.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 You have lots of fans, Victoria, but one of them is Chris Martin from Coldplay. Didn���t he describe Swan Song as one of the best songs ever written?
VICTORIA-泭泭泭泭 Yeah [laughs].
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 And you sang with him, didn���t you?
VICTORIA-泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 What was that like?
VICTORIA-泭泭泭泭 Well, it was amazing because he actually invited me out to a sort of recording retreat that they were doing. And Jacob Collier was there and a few other really gifted artists and musicians, and we all just hung out for a week making music. And one of those nights was the night that he sang Swan Song with me and someone caught it on camera. It was an absolute dream come true. I couldn���t have imagined it better myself.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I love that. So, that���s how that all came about then. And has he kind of influenced me, has he, Chris Martin?
VICTORIA-泭泭泭泭 Yeah. He was always my favourite songwriter as a kid. And when I first started performing my main sort of descriptor was I could play any Coldplay song, take any requests when I was playing restaurants and that kind of gig. I actually wrote in my journal for many, many years a manifestation list, and one of the things was me or make music with Chris Martin. And then one day it all fell into place, seriously like manifestation, unreal.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It���s mad how that happens, isn���t it?
VICTORIA-泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It���s like woo-hoo. Because 2023 has been a massive year for you. I���ll mention it up top: the awards, the tour with Hosier. What���s that been like?
VICTORIA-泭泭泭泭 The tour was amazing. I got to bring out some string players as well, which has always been a dream for me. And Hosier Andrew himself is so kind, so sweet, all the people on the crew and the band were so welcoming. I think the best part really was the fans. His crowd is so special, so enthusiastic and gentle and excitable, and they���ve all jumped on the Victoria Canal train now. I���m doing my own headline tour in the fall and they���re all going to be coming to that. It���s like pretty much every night that I performed they instantly bought tickets to my shows in the fall, which is something I���ve never really seen before. So, it���s pretty amazing.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I heard you on Radio1, it was Tuesday, wasn���t it, Maida Vale?
VICTORIA-泭泭泭泭 Uh-huh.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 You were performing. That was incredible. But you were saying to the presenter that it was just an amazing moment to hear everybody sing [starts singing] ��� I���m not going to sing because it���s so embarrassing ��� but that back at you. What did that feel like?
VICTORIA-泭泭泭泭 Yeah, I mean I guess it feels so invigorating to have a crowd sing back a song about body image and body dysmorphia and the experience of being someone different or even just of being a woman and constantly being so hard on your body. Like feeling at Ally Pally for example singing to 10,000 people and they���re all singing Don���t be So Pretty in front of me, singing about comparison and being real about it. I guess it just feels really cool to see that it���s connecting with people.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 That must be wonderful.
VICTORIA-泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 And two of your most recent songs, Shape and She Walks In, they are specifically about your feelings towards your body and your limb difference. This is just for listeners that don���t know, you were born without a right forearm, weren���t you?
VICTORIA-泭泭泭泭 Uh-huh.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 But you said that the gig that I went to I remember you played those tracks for the first time, I didn���t even think about it and you mentioned it. And you played those songs and I was listening to the lyrics and for me I was just looking at it and thinking, again you���re a total stunner, you looked beautiful, you���ve got this amazing talent and voice and all of these things, and I was like man, it���s mad isn���t it how we never see what we see in ourselves what we see in others. But how has this experience been for you being so open about how you feel? Because it was the first time, wasn���t it, that you���ve written about that?
VICTORIA-泭泭泭泭 Yeah, it���s the first time I���ve written about my body. In a lot of ways it felt like reclaiming and reframing the narrative surrounding my disability. I���ve done a lot of interviews where the headline comes out and it doesn���t even mention my name, it just mentions my disability. It���s like Chris Martin singing with one-handed pianist or whatever.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 There was a headline like that?
VICTORIA-泭泭泭泭 Many.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 No!
VICTORIA-泭泭泭泭 Yeah [laughs]. And you know how it works with press, like everybody just uses the same headline when one���s gone out, so it was just that everywhere. And I guess it just prompted me to think a lot about how I want to show up in the world in the way that, like I don���t want to neglect who I am, but I also want to have autonomy over how it���s being talked about and I want to do it on my own terms.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 That���s it.
VICTORIA-泭泭泭泭 I think writing music about it has helped me grow also in terms of self-esteem and confidence. Sometimes just talking about the experience out loud alleviates it in many ways, so that felt important to me. And ever since then I feel like actually people have focused a lot less on it.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 That���s what I was going to say.
VICTORIA-泭泭泭泭 Yeah. Even just seeing comments online when I���m putting up music and stuff, five, six years ago it would have been something like, ���Oh my god, poor her��� or, ���She���s so inspiring��� which sometimes is also damaging, or ���I feel so lucky I���m not her��� or whatever; things that are kind of supposed to be positive, like there���s positive intention, but it���s so damaging societally to frame disability that way. So, yeah I just feel like it���s been cool to see that by talking about it myself actually in the comments people are just like, ���Oh my gosh I love this song, I relate to this, thank you for helping me feel seen���. It���s all changed so drastically.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I read in an article that you���d done you were saying that this was before the tracks, I think, you would look at your other contemporaries and when they���re in interviews they���re not really asked, they���re just asked about their recording process, their music, all of that, whereas you weren���t.
VICTORIA-泭泭泭泭 Yes.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 So, it���s interesting hearing now that you���ve almost sort of like owned it in a way things have changed.
VICTORIA-泭泭泭泭 Yes, totally. And also I totally recognise that it is still important to point it out and talk about the things that are missing in terms of policy and stigma and all these things. It is really important to vocalise the realities surrounding disability. But I definitely feel much more empowered about it this time around.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It���s interesting this, isn���t it, Ems?
EMMA-泭泭泭泭泭泭泭泭泭泭 It is because the music scene we���ve spoken to other disabled musicians quite recently who have spoken quite negatively about the music scene and how it deals with disability and difference. And it���s really interesting because you came into it focusing very much not on that and then owning it. Has it been good to you? Have they done any ableism as we say? How have they been with you?
VICTORIA-泭泭泭泭 That���s a really good question. I have a pretty incredible team of people around me who put a lot of effort into how we approach anything when it comes to interviews, and what opportunities we���re taking. Everything is incredibly intentional, and I have my manager, Andrew, is my ride or die and he is protecting me every step of the way. And I think we���ve both been growing and navigating how to take advantage of opportunities as they come but without feeling like I���m being tokenised or cheapened in any way; which has been inevitable in certain situations because, I don���t know, I think it���s almost like trendy these days to highlight people like me. Which is I guess good in many ways, but then it all just feels like���
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It���s a fine balance though, isn���t it?
VICTORIA-泭泭泭泭 ��夷t feels so performative in some ways, you know.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Yeah.
VICTORIA-泭泭泭泭 So, I think it���s like a constant navigating and I just feel really lucky that I���m supported in a way that I don���t have to do it all alone. And we���re just trying out best. But I definitely still struggle with not really knowing if I am where I am because of my disability.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 No.
VICTORIA-泭泭泭泭 Or just because of my talent or���
EMMA-泭泭泭泭泭泭泭泭泭泭 We now just want to shower you with soppy love.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Yes. No, I didn���t even know.
VICTORIA-泭泭泭泭 You know what I mean though.
EMMA-泭泭泭泭泭泭泭泭泭泭 Yes, we���ve had those struggles in our minds many times, Victoria.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Victoria, the amount of times in the morning I get up and say, I���m only on the TV because I���m a bird in a scooter. You do, you think like that.
EMMA-泭泭泭泭泭泭泭泭泭泭 Internalised ableism.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Imposter syndrome kind of thing.
EMMA-泭泭泭泭泭泭泭泭泭泭 Yeah, it���s our version of imposter syndrome. We���ve sucked in what society thinks.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Are you upset?
VICTORIA-泭泭泭泭 I���m not upset.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 You���re not upset?
VICTORIA-泭泭泭泭 I���m just a crier.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Oh, I���m a crier too. Don���t, I���ll start crying, Victoria [laughs].
VICTORIA-泭泭泭泭 I mean, you know what, you were talking about mental health on this podcast, which is super important too I think. It���s tough out here. It���s tough to be labelled [voice breaks] and not have much control over how you���re perceived by the world. It���s definitely something that I struggle with sometimes, you know what I mean.
EMMA-泭泭泭泭泭泭泭泭泭泭 Yeah.
VICTORIA-泭泭泭泭 I didn���t expect to get emotionally, sorry.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Oh Victoria.
EMMA-泭泭泭泭泭泭泭泭泭泭 But honestly, when I was your age, when we were in our early 20s, it���s taken us a lot of years to be hard-arsed about it.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Yeah, it comes with time.
VICTORIA-泭泭泭泭 Yeah, I think that���s the other thing, my personality is just I���m like incredibly open, to be honest; maybe to a fault sometimes.
EMMA-泭泭泭泭泭泭泭泭泭泭 That���s why your songs are so beautiful.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Don���t change.
VICTORIA-泭泭泭泭 I won���t change.
EMMA-泭泭泭泭泭泭泭泭泭泭 And raw and gorgeous.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I say it. My sister tells me all the time, sometimes I���m just way too open and too soft and stuff. But I don���t want to change. You don���t want to.
VICTORIA-泭泭泭泭 Yeah, I think there���s such strength in vulnerability. There���s no use in pretending that everything is just peachy all the time because who���s going to feel understood by that? And I think as a songwriter and just as a person I think one of the things that makes me feel most fulfilled is feeling connected to others, and you can really only do that when you���re being real about your experience.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Exactly.
VICTORIA-泭泭泭泭 No one has a perfect life. Also that���s my experience being maybe not judged, but maybe pitied or observed a certain way because of my difference, or maybe I���m only granted certain things because of my disability. But you could say the same for anyone who���s conventionally pretty or anyone who���s queer who���s only getting a queer spotlight. Just all these things that are happening right now because of a label. And it���s so interesting that we���re in a time where representation is expanding, which is so positive, but then we���re still being defined by these things that are so one-dimensional. It���s like we���re all incredibly complex beings with multiple facets and so much to our stories, and so to be defined by one thing is just really isolating sometimes.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It will change one day, it���s just we���re stuck in this time at the moment where it���s hard.
VICTORIA-泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It���s confusing. It���s complex. It���s not nice sometimes.
VICTORIA-泭泭泭泭 Yeah, it���s not nice sometimes.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 No, not at all. I was wondering, I played music a bit when I was younger, I was a bit rubbish, but I took music up because I was a little bit different from my friends at school, and I used to love listening to Kate Bush and The Beatles and playing the piano a bit and writing rubbish songs. It kind of saved me to a degree. And I wondered was that a thing for you music?
VICTORIA-泭泭泭泭 Oh yeah, absolutely. Music has been my saving grace for sure. It still is. It���s such a relief. For me the music that���s hit me most has always been the emotional, quite ambient, folky immersive stuff, as well as film scores and the amount of times that I���ve just bawled to a film score, like Johnny Greenwood or���
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Radiohead?
VICTORIA-泭泭泭泭 Yeah, he���s written some of the most��� like There Will be Blood, the film score for that just rips me up and it has for a long time. But Bonnie Varon and Ben Howard and James Blake and artists like this who really take their time and who just sink into the space of darker feelings I think has always just been like what���s made me feel better since I was a kid.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 And what made you go for the old Joanna and the guitar? That���s a cockney word for piano.
VICTORIA-泭泭泭泭 Oh [laughs]. Well, actually my grandma played piano for church and she taught piano for many, many years.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Oh lovely.
VICTORIA-泭泭泭泭 So, when I was little we would visit her in the summers. Since I was like three or four wanted to sit in the piano room on her lap and watch her play and see the effect that she had on her church. I was never really religious or anything, but there was definitely something pretty spiritual and pretty insane about the unity that happens within music, secular or non-secular. It was definitely that early exposure that got me into playing piano I think. I was singing in harmony from when I was really, really little. She told my parents, ���I think she might have a knack for music so you should put her in lessons���. I took one piano lesson with her and we���re both so stubborn that it didn���t last [laughter] so they put me in normal conventional lessons.
EMMA-泭泭泭泭泭泭泭泭泭泭 That���s interesting because when I was a kid ��� I don���t know if I mentioned this but I���m blind ��� my mother couldn���t find a piano teacher who would take me for a long time because of the difference in my learning.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 No!
EMMA-泭泭泭泭泭泭泭泭泭泭 And that I couldn���t see music, and their teaching style didn���t match how I would need to learn. But I adapted, I was never particularly good, but I adapted. And I ended up singing because that went to my strengths in the end. But did you ever have any, did you come up against any hurdles in terms of learning to play and playing your instruments?泭
VICTORIA-泭泭泭泭 That���s a great question. I love that question.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 You���ve said that twice about Emma now [laughter]. You���ve not once���
VICTORIA-泭泭泭泭 I���ll get you [laughs]. It���s just really interesting for me because I���ve had several piano teachers over the course of my life, and the first one I ever had I love him, Daniel Karate, and he always let me basically memorise what he was playing instead of reading the music, because I never wanted to read the music. When we first started doing lessons it was just my left hand that we were using, and he would sit on my right side and play the right part. And then my mum was the one that was like, ���I think you need to push Victoria to play with both somehow��� so that���s when I started actually using my right arm to play was because of my mum���s push. I thank my lucky stars for her stubbornness surrounding my practising, because she was pretty diligent about getting me to practise and wouldn���t let me skip a day. Sometimes I wish I still had her constantly supervising me.
EMMA-泭泭泭泭泭泭泭泭泭泭 On your shoulder.
VICTORIA-泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Don���t we all?
VICTORIA-泭泭泭泭 Criticising and eating salads. I���ve had several teachers say that my playing style has actually influenced their playing or that they���ve learnt from the limitation. My main heart and soul piano teacher is a friend of mine who I went to summer camp with, he���s my age and his name is Taylor, and he took the time to sort of adapt several pieces to what I would play. So, five fingers on the left and just one on the right. And we figured out together that I could play it so that I can play multiple notes with my right arm in a way that make voicings really interesting. So, my voicings are really unique to me and that���s one of the reasons I really love piano. And then when I picked up guitar about 15 I wasn���t so sure that I could actually get the hang of it because I can���t do picking finger style kind of thing. And then I met this guy John Butler. Do you know John Butler?
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 No.
EMMA-泭泭泭泭泭泭泭泭泭泭 No.
VICTORIA-泭泭泭泭 He���s an Australian artist who had this really viral video on YouTube a million years ago, and it was him just like slapping the guitar and whatever. And he taught me about open tunings backstage at this one show. And he taught me what that was, and then once I���d discovered that I was like, oh my god, I think I can actually play guitar.
EMMA-泭泭泭泭泭泭泭泭泭泭 What is that?
VICTORIA-泭泭泭泭 So, like normally a guitar is in standard tuning, which is like if you were to just strum it without holding down any of the strings on the frets then it wouldn���t sound that great. It���s the combination that logically makes it so that you can do different shapes. But with open tunings it sounds great when you just play it without any fingers pressing on the frets. And then you can actually play much easier combinations of shapes with your hand that will change the chord that you���re hearing. But there are certain notes that are still ringing out and it���s within the key. So, that just makes it a lot more fun, and a lot of singer/songwriters I think find it really inspiring. But that one day was highly influential for me because I ended up always only using open tunings, and it made me feel more confident about actually playing guitar successfully and performing with guitar, which was always something I wanted to do but didn���t know if I could do.
EMMA-泭泭泭泭泭泭泭泭泭泭 Do you adapt the guitar in any way or do you put anything on your arm or anything like that to help you?
VICTORIA-泭泭泭泭 I used to. I used to tape a pick to my right arm, and it just got really sweaty and uncomfortable so I just started doing it with nothing on my arm. And it���s like incredibly soft, and that sometimes gives sound engineers a bit of a hard time when I���m playing live. But it���s also just really created again like another sort of unique sounding point for me because it���s so unique to me the way that my piano voicings are. No one else is going to sound like that when they play guitar or piano, so I take a lot of pride in that actually.
泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 I like playing with syncopation a lot and rhythm. I hear the part in my head but I can���t quite play it the way that I want to, so I���ll just layer the parts in a way that actually sounds rhythmic and cool in your ears. I have so much fun doing that. That���s the stuff I love.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 That���s brilliant, I love it. So, what is next for you?
VICTORIA-泭泭泭泭 Well, I have my own UK and Europe headline tour in the Fall.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 So exciting.
VICTORIA-泭泭泭泭 Very exciting.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 How do you feel about that?
VICTORIA-泭泭泭泭 I���m pretty stoked. I mean, some of the dates have already sold out.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Amazing.
VICTORIA-泭泭泭泭 It���s mind-boggling to me.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Of course they have.
VICTORIA-泭泭泭泭 I���ve been playing music for a lot of years and it���s hard to sell tickets, so it feels pretty cool to start to do that in a way. And my EP Well Well comes out on August 15th.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I love the title of that, Well Well [laughs].
VICTORIA-泭泭泭泭 I always like album titles that pull from hidden lyrics in the track list that you might not expect or remember. And it was just one of the lyrics from a song called Yes Man, and to me it has to do with self-analysis and what do we have left here after all this stuff that you���ve been through, what are you building now and who���s left of you and who are you really. So, that���s kind of what the project is.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I could talk to you for ages. I don���t want to stop.
EMMA-泭泭泭泭泭泭泭泭泭泭 I���ve really loved this.
VICTORIA-泭泭泭泭 Me too.
EMMA-泭泭泭泭泭泭泭泭泭泭 Really loved it. I���ve learnt so much and felt so much. Thank you.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Yeah.
VICTORIA-泭泭泭泭 It���s been really refreshing for me actually so I really appreciate it, thank you.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It���s funny, and I���ve probably said this to Emma before, but I���ve always been disabled, I didn���t know anyone disabled growing up apart from my sister, I wasn���t part of the thing we now call the disabled community, don���t we, Em.
EMMA-泭泭泭泭泭泭泭泭泭泭 Uh-huh.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 And it���s only as I���ve got older that I talk about it so much, it���s my job obviously and everything. I was kind of reluctant to do it, very reluctant to do it, I kind of didn���t want to.
VICTORIA-泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It was almost a bit showy-offy about the fact that I was the disabled girl that didn���t have any disabled friends. It was a gag, awful, really awful.
VICTORIA-泭泭泭泭 I know exactly what you mean.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 But do you know what I mean? And I was sort of resistant.
VICTORIA-泭泭泭泭 Yeah, I���ve been there.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Have you?
VICTORIA-泭泭泭泭 Uh-huh.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Do you feel a bit more comfortable in that space?
VICTORIA-泭泭泭泭 Yeah, absolutely. And I think there is something to be said for being faced with adversity in your everyday life. I think it teaches you a lot about the things that matter, and how to develop a certain sense of stoicism, whatever comes my way I can handle it kind of thing. That doesn���t have to be performative or tokenising or inspiring in any way. But I do have to say the people that I���ve come to know with disabilities generally do have that muscle developed in a way that a lot of able-bodied people just don���t. If you don���t have to face anything difficult ��� well I mean everybody goes through difficult stuff.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 No, but I know what you mean.
VICTORIA-泭泭泭泭 You know what I mean, on a physical everyday tiny level maybe that muscle goes soft in terms of I can do this.
EMMA-泭泭泭泭泭泭泭泭泭泭 If you don���t have those daily micro-aggressions you can���t flex the muscle.
VICTORIA-泭泭泭泭 Yeah [laughs].
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 And on that note you���ve been amazing and I���ve loved it. And if you ever want to come on again come on again.
VICTORIA-泭泭泭泭 Thank you.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Bye.
MUSIC-泭泭泭泭泭泭泭泭泭泭 Access All.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 To the left a bit.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Wait till you hear the double act.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Let���s see who gives the better performance.
EMMA-泭泭泭泭泭泭泭泭泭泭 This is why I said it, to get everybody on top of their game.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Are you all warmed up Tommy?
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Sit up straight. Don���t hunch back. Mum will have a go at you. Still in the shot?
TOMMY-泭泭泭泭泭泭泭泭 That���s true.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Have we started?
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 We���d best introduce you now, hadn���t we, eh?
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 He was in the TV series everyone was talking about, Line of Duty. Actor Tommy Jessop and his family were certain that being in 2021���s biggest TV show would lead to bigger and better roles. But when the show wrapped the phone stopped ringing. Not one to take things lying down Tommy decided if he wanted to be a lead actor in a film he was going to write the film and take it to Hollywood. Tommy���s latest documentary is all about this; filmed by his big brother, the Emmy nominated documentary maker Will Jessop. Talk about power brothers. Why don���t you guys explain a bit about what this documentary is all about?
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 So, what���s the story of Tommy Jessop Goes to Hollywood, Tommy?
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Go on, give us it.
TOMMY-泭泭泭泭泭泭泭泭 Well, the main clue is in the title.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, the clue is in the title.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Very much so.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 We couldn���t fit in Tommy Jessop and His Brother Will Goes to Hollywood; it would have been too long [laughter]. But yeah. And why are we going to Hollywood Tommy? What���s the aim?
TOMMY-泭泭泭泭泭泭泭泭 The main aim is to try to make a superhero film in Hollywood.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 And what can you tell us about this particular superhero? You can���t give too much away because it���s top secret.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Can we give away the name of the superhero, do you think, Tommy?
TOMMY-泭泭泭泭泭泭泭泭 Yeah, Roger the Superhero.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 And why is he called Roger?
TOMMY-泭泭泭泭泭泭泭泭 It came from my teddy bear.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 That���s exactly it. So, we are pitching in Hollywood a superhero movie called Roger the Superhero; his name inspired by none other than Tommy���s teddy bear.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 I love it.
TOMMY-泭泭泭泭泭泭泭泭 Yeah. We are in the middle of writing a script.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 What really makes you want to be that superhero?
TOMMY-泭泭泭泭泭泭泭泭 I must have watched countless superhero films and I do like to make my presence felt. And I would like to be able to save the day.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 You want to be able to save the day.
TOMMY-泭泭泭泭泭泭泭泭 Yeah. And I think it���s also about time there should be a superhero with Down���s Syndrome.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 You���ve got some big stars in your documentary, haven���t you?
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 You met a lot of people along the way. Kit Harrington was one of them, known from The Game of Thrones.
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 And then you went to Hollywood and you met some bigwigs.
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 What���s it like to come up with your own idea for a movie and then go and meet all these famous powerful people and have them say yeah, I think that's quite a good idea, you know? How did that feel?
TOMMY-泭泭泭泭泭泭泭泭 Heart-warming.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Heart-warming yeah, and I would say from my point of view pretty exciting.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 We���ve seen it, haven���t we, Em? We were lucky enough to see it and I did love the section where you did a bit of roleplay with Kit Harrington. He was playing the baddie:
[Clip]
KIT-泭泭泭泭泭泭泭泭泭泭泭泭泭泭泭 Interior, underground science lab day. Roger the Superhero is facing off against his nemesis, the billionaire bad guy, Noel Scum. It���s quite simple, Roger: your DNA is a mistake, a glitch in the code. You have an extra chromosome that corrupts the rest of it.
TOMMY-泭泭泭泭泭泭泭泭 You���re wrong. It���s a gift.
[End of clip]
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 What was it like acting alongside Kit Harrington like that?
TOMMY-泭泭泭泭泭泭泭泭 Wicked.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 There was something a little bit surreal about it, because obviously that was a scene that Tommy and I had written for one of the biggest stars in the world on the off-chance he was up for reading it. And next thing I know I was there behind the camera with Tommy and Kit Harrington facing off in a kind of climactic showdown [laughs]. And what was amazing about it was obviously Kit is a wonderful actor, but Tommy was very much holding his own. There was a kind of power balance between the two of them, and I was like wow, that���s incredible. And as a kind of proof of concept for what we could go on to do with the superhero movie it felt very, very exciting.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 What I loved about the documentary is it���s really fun, but you also raised a lot of really big issues for people with Down���s Syndrome. There was screaming in there, there was the Down���s Syndrome Act. Was that partly your intention when you were making it?
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Definitely.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Because you are a passionate activist, aren���t you, Tommy?
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 So, for me Tommy, while you think of an answer, maybe have a quick sip of expresso as well and take your hand out of your pocket and just think of your next answer.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 [Laughs] love this.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Because I���m going to waffle on here a bit Tommy, so you���ve got a chance to prepare.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 And for our listeners, Tommy drinks more expresso than I do, and I drink about six a day. No, I don���t.
TOMMY-泭泭泭泭泭泭泭泭 These are quite nice.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 That explains a lot [laughter].
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Down it, Tommy.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 No, don���t down it. just a sip! Just a sip! We���re micro dosing. There we go, that���s the expresso. Now sit up nice and straight.
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 I���ve got my mother���s words ringing in my ears. Just to pick up on what you asked, Nikki, so some of my favourite bits in the film Tommy are when you���re filming yourself, kind of telling us about the story, about your ideas for your superpowers, which are pretty cool. What���s your favourite superpower?
TOMMY-泭泭泭泭泭泭泭泭 Reading people���s minds, telekinesis, changing people���s minds.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Exactly. So, for us to go from the fun to the more serious points was always our intention. And for me that is kind of encapsulating Tommy���s personality, isn���t it Tommy?
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Because you are warm and funny and wise and smart. But there are also things that you care about very deeply, and there���s work that we need to do to make the world a better place for people with Down���s Syndrome. But obviously one of the things that you���ve been doing, Tommy, is your campaigning.
TOMMY-泭泭泭泭泭泭泭泭 Yeah, celebrating the lives of people living with Down���s Syndrome, and to improve their lives as well.
EMMA-泭泭泭泭泭泭泭泭泭泭 You two have such a great relationship, and we can see that in this interview. You went to Hollywood and your mum, Jane, is always very involved, she���s always there right by your sides, but you went by yourselves. And Jane gave you a big long list, Will, of things that would be useful to keep Tommy happy and safe and sorted. How did all that go? Did you do anything on the list?
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 It���s fair to say it was a really long list, Emma. It was four pages long [laughter]. And I sort of feel that if we���d done everything on that list we wouldn���t really have had much time to do anything else [laughter]. So, she has some kind of tried and tested techniques I suppose to bring the best out of Tommy. And I���m sure she���s got very similar instructions when it comes to me [laughs] that I���ve never seen. Actually that was the very first time that Tommy and I have been abroad together as brothers without our parents.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Oh.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Which was pretty cool. And so I think mum���s way of��在ecause I���m sure she must have been a bit worried about what we were going into, and obviously excited for us, but we���re going the other side of the world to try and pitch a superhero movie in Hollywood, the land of the sharks. And yeah, some of them we did follow and were super helpful, but also I think it���s fair to say we also found our own way.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Did you go out till 3am drinking shots?
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Well, that must remain���
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 What went on in Hollywood stays in Hollywood, yeah [laughter].
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, we may not have gone that far.
EMMA-泭泭泭泭泭泭泭泭泭泭 There is an amazing scene where Will is flapping outrageously trying to get everybody ready and get to the pitch, and Tommy is chill, cool as a cucumber.
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Cool as a cucumber.
[Clip]
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 You���ve got to be in a big meeting outfit, so not wearing shorts. It���s probably going to be these. We���ve got about 20 minutes. We���ve got to call mum, do some prep, eat breakfast, pack, leave the hotel and get in the car, so it is quite a lot. Where���s your toothbrush, is it packed?
TOMMY-泭泭泭泭泭泭泭泭 Uh, yes.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Now we���ve got to be quick, quick, quick.
[End of clip]
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 That was such a big deal, like, but you didn���t seem Tommy. But were you nervous?
TOMMY-泭泭泭泭泭泭泭泭 No.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 I was [laughter]. Yeah, I certainly felt like a massive fish out of water; but Tommy just owned��尖eah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 There���s a scene towards the end where you were in front of he was a big producer talent manager, wasn���t he, guy.
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 He was really moved by you I felt and why you wanted to make this film. And you properly sold it. And you were dead proud of him, weren���t you?
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Oh so proud, yeah.
EMMA-泭泭泭泭泭泭泭泭泭泭 Tommy, what���s next for you?
TOMMY-泭泭泭泭泭泭泭泭 No comment.
EMMA-泭泭泭泭泭泭泭泭泭泭 What?!
TOMMY-泭泭泭泭泭泭泭泭 To reprise my role as Terry Doyle in Line of Duty.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 That���s the dream. It���s not necessarily actually what���s next though. I think it���s fair to say you would love to do that, wouldn���t you, Tommy?
TOMMY-泭泭泭泭泭泭泭泭 Yeah.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 So, in terms of what���s actually next, Tommy, I���m going to give you a clue [whispering] say Roger the Superhero. Do you want to ask the question again, Nikki?
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 What���s next Tommy?
TOMMY-泭泭泭泭泭泭泭泭 Well, Roger the Superhero.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Good answer [laughter].
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Will, you���re also an impressive filmmaker. What have you got on next as well?
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Well, same answer: Roger the Superhero.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 It���s all about Roger.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 The intention is we���re doing it for real. We���re working on the screenplay and then looking at casting other roles. Obviously we���ve got our dream cast.
EMMA-泭泭泭泭泭泭泭泭泭泭 Oh, who���s in the dream cast?
TOMMY-泭泭泭泭泭泭泭泭 Well, he might be known as the people���s champion.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 And for those that don���t watch wrestling?
TOMMY-泭泭泭泭泭泭泭泭 The Rock.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Oh, Dwayne The Rock Johnson.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Yeah, Dwayne The Rock Johnson is in there somewhere. And in terms of the potential love interest?
TOMMY-泭泭泭泭泭泭泭泭 Margot Robbie.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Margot Robbie. And she���s been in there since before we saw Barbie.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Right okay.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 We���ve really thought about this.
EMMA-泭泭泭泭泭泭泭泭泭泭 Brilliant.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 And obviously also we���d love to include other actors with Down���s Syndrome and other disabilities.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Totally.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 We could have so much fun casting this.
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Thank you so much for coming in. And one thing we have forgotten to mention is that you can get Tommy���s book. He���s also an author. The book is called A Life Worth Living: Acting, Activism and Everything Else. And you can get it from any good bookshop. And the brothers��� documentary, Tommy Jessop Goes to Hollywood is going to be on 91腦瞳扦 One this month, and it will also be on the iPlayer as well. oh guys, you are amazing.
WILL-泭泭泭泭泭泭泭泭泭泭泭泭 Thank you very much.
EMMA-泭泭泭泭泭泭泭泭泭泭 Bye. Lovely to meet you. Bye!
NIKKI-泭泭泭泭泭泭泭泭泭泭泭 Now, Tommy and Will Jessop���s documentary is on 91腦瞳扦 One next week. It is brilliant. I���ve seen it twice. Keep an eye on your TV guides and just mark it, put it in your diary. I really hope you enjoyed the programme today. Do get in contact with us, we love, love, love hearing from you. You can contact us on X. Oh, X eh? X is the microblogging site formerly known as Twitter. Or you can email us accessall@bbc.co.uk. Bye.
[Trailer for Newscast]
PRESENTER-泭 You know when you���re worried about something, but then you talk to your friend who knows more about the subject than you do, and straightaway you start to feel better? That���s what we try and do every day on Newscast.
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 Now, they���re saying that that would be simple to do, it would give everyone certainty.
PRESENTER-泭 We talk to people who are in the news:
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 You were chasing me round with a plate of cheese.
PRESENTER-泭 We talk to people who know what���s going on in the news:
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 At least I didn���t get up and slap anybody.
PRESENTER-泭 We talk to people who understand what the news means:
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 I think that he���s decided he���s going to listen, and then he might just intervene.
PRESENTER-泭 And we talk to the best 91腦瞳扦 journalists, asking the most important questions:
CHRIS-泭泭泭泭泭泭泭泭泭泭泭 What���s wrong with chinos? You don���t want them, people to start wearing chinos?
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 Don���t start me, Chris.
PRESENTER-泭 That���s Newscast from 91腦瞳扦 News, the podcast that knows a lot of people who know a lot about the news.
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 And I was like, go on Kate, put some more welly into it!
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 Listen to Newscast every day on 91腦瞳扦 Sounds.
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m glad I asked that.
CLIP-泭泭泭泭泭泭泭泭泭泭泭泭泭 I���m very glad that you asked that!
泭
泭
泭
Podcast
Get the latest episodes of the Access All podcast the moment a new episode goes live!
Podcast
-
Access All: Disability News and Mental Health
Weekly podcast about mental health, wellbeing and disabled people.