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CLARICE CLIFF POTTERY

PRICEY POTTERY | pound for pound, Clarice Cliff's work is worth more than gold

For those of you with an eye for a collectable, Inside Out may have just the thing. With her bright and original designs, Clarice Cliff took the pottery world of the 1920s by storm. Now 80 years on, some of her work, pound for pound, is worth more than gold.

Clarice Cliff was born in Stoke-on-Trent in 1899. By the First World War, she was working in one of the many factories that dominated the potteries.

By the late 1920s, amid economic recession, Clarice was designing innovative, colour rich pottery and her career was blossoming.

Clarice Cliff's career blossomed in the height of recession

"She was successful when everyone else was just trying to make some money, she was making a load of money," explains Leonard Griffin, a Clarice Cliff expert and founder of the Clarice Cliff Collectors Club.

"The colours sold themselves, they were in the windows of the stores in London and major cities throughout the world."

A colourful life

Clarice鈥檚 pottery was matched in vibrancy by her equally colourful love life.

During the 1920s, Clarice had an illicit affair with her then boss, Colly Shorter. Years later the pair married, but it was the couple鈥檚 business partnership that took the pottery industry by storm.

"People have often said she wouldn鈥檛 have succeeded without him, but the fact is, his factory wouldn鈥檛 have succeeded without her," says Leonard.

"This swish twenties woman came along and revolutionised British pottery for him."

Bygone age

Nowadays, Cliff鈥檚 pottery is still very much in demand and Inside Out meets Andy Muir from Birmingham, whose collection is arguably one of the largest in the UK.

Andy selects a classic 1931 piece which he believes embodies Clarice鈥檚 work.

"It鈥檚 a classic piece from 1931. Fantastic pattern called Orange House," says Andy. "Whimsical cottage and cartoony landscape, it鈥檚 everything Clarice was and is today."

This may be a classic example of her work, but it is not the rarest in the collection. That privilege belongs to an abstract 1930s piece that Andy bought in New Zealand. Today it would fetch a staggering 拢10,000.

An acquired taste?

Rene worked for Clarice 70 years ago, but wasn't the greatest fan of her work

Whilst modern day collectors like Andy may marvel a bygone age, Inside Out has tracked down someone with first hand knowledge of Clarice Cliff.

85 year old Rene Dale, worked for Clarice at Newport pottery 70 years ago.

Not only was Clarice an innovative, talented designer, but according to Rene, she an excellent boss as well.

"You couldn鈥檛 have asked for a nicer boss. She thought the world of the girls you know," says Rene. "She has no family of her own and she sort of took us on as her family."

Rene may be a huge fan of Clarice鈥檚 management style, but for Rene, her pottery was somewhat of an acquired taste.

Pound for pound, Clarice's work is worth more than gold

"We all thought it was so gaudy, but then that was the idea, she wanted it gaudy, she wanted it gay," explains Rene. "She thought the British housewives deserved more colour in their lives."

So with pieces of Clarice Cliff鈥檚, fetching anywhere up to 拢20,000, what would this local girl from Stoke think of it all? Maybe Rene can answer that:

"If Clarice knew what was going on now, she鈥檇 dig a hole and get into it. She wouldn鈥檛 have liked all this fuss."